Sarah Angliss - My Electroacoustic World | Podcast
Sarah Angliss talks to Caro C about her route into Electronic Music and how she utilises sub-frequencies, robotics, and her own effects in her compositions and live performances.
Sarah Angliss talks to Caro C about her route into Electronic Music and how she utilises sub-frequencies, robotics, and her own effects in her compositions and live performances.
Filmed and produced by Moog Music, the Giants series is a platform for legendary electronic musicians and innovators to express themselves through the art of storytelling.
Though sound synthesis has a relatively short history, its progress has been rapid, with the result that the basic concepts of synthesis are now becoming lost in the mists of time — yet to effectively programme current synths, it really helps to know them.
Set the controls for the heart of the bass: Nick Magnus reveals just how low your digital synth can go...
Paul Ward gets bullish about one of Robert Moog's lesser-known creations - the Taurus bass foot pedals, famed for their thunderous sound and association with some of the 1970s prog rock scene's greatest stars.
Paul White talks to one of the seminal figures of the electronic music era, pioneering synthesizer designer Bob Moog.
It’s a reflection of how big the modular‑synth world has grown, in the last decade or so, that a book like this can be commercially viable.
Great‑sounding gear with big feature sets — what’s not to like? Well, for one, user interfaces that are so obscure you forget how they work the moment you put down the manual...
Alongside the people who make them, Patrick Gleeson has probably done more than anyone else to introduce synthesizers to popular music.
After many years of planning, Rick Wakeman has succeeded in putting on a show that is a worthy successor to follow his theatrical '70s son et lumière extravaganzas — Return To The Centre Of The Earth. Paul Ward was present as production of the album of the story neared completion at CTS Studios in London.