Recording

I have a very high quality D-A converter that boasts particularly low clock-jitter figures, so I thought it would be an ideal candidate to serve as a master clock — yet it doesn’t have a word-clock output socket!

Pro7ect 2017: producer Ian Wallman describes a unique collaborative project in an unusual space!

Cappellino is one of Nashville’s most respected engineers. In this second video, we go behind the scenes and gain unprecedented access to a vocal recording and comping session with singer Heather Bond. Pick up useful tips for speeding through vocal recording while achieving a great result and find out how Neal puts together the perfect take.

Keeping the BBC’s flagship classical music show at the top of its game requires serious engineering skill — and the ability to cope with the unexpected!

DJ Shadow’s Endtroducing wasn’t just a staggering technical achievement. It also reimagined a whole musical genre.

Why does everyone, pros and all, say that the snare bottom mic is ‘out of phase’, and that its polarity must be reversed? Isn’t it the top mic that should be reversed?

Will the audio quality from an Allen & Heath XB-10 paired with a JK Audio Innkeeper telephone hybrid be better than the Allen & Heath ZED-10, also paired with an Innkeeper?

We find out whether a unique choir and a unique church will prove a match made in heaven.

A move to the country led the National to rethink their recording process and embrace studio experimentation as never before.

We drop in on Neal ahead of a vocal recording session with singer Heather Bond to find out about his preparation process...

I’m soon going to be doing my first recording of live drums and it occurred to me that I don’t know the answer to this question...

Recording a mezzo-soprano with piano accompaniment presents a unique set of challenges for our in-house engineer.

Drum recording can be challenging, even if you’re working in a professional tracking studio. Record drums at home or in a...

Blockbuster video game Horizon Zero Dawn took six years to make, and required its three composers to invent an entirely new sound world.

Soulful electronic artist/producer SOHN shows us how he layers up, edits and processes his own vocals, and uses Auto-Tune in an unconventional way to create ear-catching textural and percussive elements.

With the Screamadelica album Primal Scream didn’t just reinvent themselves as a band, they reinvented what it meant to be a band.

M-S miking is already a versatile technique, but it can be built upon to provide surround-sound recording and a whole lot more besides!

Recording Steel Drums: Our engineer rises to the unfamiliar challenge of capturing a loud steel band in their octagonal rehearsal building.

The sessions for Divide saw singer-songwriter Ed Sheeran exploring the possibilities of home recording for the first time, courtesy of engineer Joe Rubel.