Recording

A directory of all media pages that hold the associated media files for June 2016 audio examples.

Fusing experimental electronic styles with hip-hop elements, the beat scene is where we find the subject of this month’s video feature...

The audio files available on this page accompany my Session Notes article in SOS June 2016 about recording drums for a...

A project that was started to help unsigned bands show solidarity with victims of the Paris attacks has grown to unite musicians, artists and film-makers from around the world. And it’s not finished yet...

I’ve sought advice on ways to attenuate the output of a Fender 65 Reverb amp, so that I can record it at home.

Zwiepack: Our engineer captured one jazz session using two completely different recording techniques. Which one won the day?

Audio files to accompany the article.

Zwiepack: Our engineer captured one jazz session using two completely different recording techniques. Which one won the day?

I’ve been trying to get my reverb settings worked out, but when I settle on what I think sounds right two main...

Recording the centrepiece of Spiritualized’s celebrated space rock masterpiece took engineer Darren Allison on a trip into the unexpected.

How do you extract a complete album from a dysfunctional band with no finished songs? Drag them to a remote residential studio — in winter...

I’ve got to the point at mixdown where I’d usually be thinking about sending everything through a couple of global reverbs/delays with a view to simulating a soundstage. Would this have actually been possible for a mix engineer in that decade?

Bearing in mind my room is untreated and I do the bulk of my mixing on headphones.

What’s the ‘secret’? Shall I not bother with gating them.

Hannes Keseberg: our engineer helps an artist fake a big-ensemble sound by layering recordings of a string quintet.

Hannes Keseberg: our engineer helps an artist fake a big-ensemble sound by layering recordings of a string quintet.

The humble speaker stand or desktop speaker platform can make a huge difference to the sound in your room.

We sit down with Chambers and producer/engineer Richard Flack (Joe Strummer, Rudimental, Paloma Faith) in Guy’s beautifully equipped Sleeper Sounds studio in West London.

Hal Ritson is one of the most in-demand producers on the deep-house scene. Here, he reveals the secrets behind the genre’s distinctive vocal sounds.

These files accompany the Mike Skeet obituary in the March 2016 issue of SOS.

Through his work as an engineer and author, Mike Skeet inspired enthusiasts to build their own equipment and make better recordings.