I’ve got to the point at mixdown where I’d usually be thinking about sending everything through a couple of global reverbs/delays with a view to simulating a soundstage. Would this have actually been possible for a mix engineer in that decade?
We sit down with Chambers and producer/engineer Richard Flack (Joe Strummer, Rudimental, Paloma Faith) in Guy’s beautifully equipped Sleeper Sounds studio in West London.
When Ornette Coleman died last year, a planned celebration of his 85th birthday turned into an epic tribute album. Either way, no-one wanted a “jazz guy” to mix it...