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Rating: ★ ★ ★ ★ 4/5 Stars. 

Audix’s new drum‑focused dynamic is three mics in one.

Through the ’50s and ’60s, Altec’s 436 compressors were often modified and hugely influential. But this keenly priced homage does more than clone these vintage devices.

There’s more to this fresh take on dynamics processing than a groovy GUI!

Now a classic in its own right, Novation’s Bass Station gets the GForce treatment.

The Heritage Audio Synth Buddy uses only passive circuitry, and that means that it can be used with all manner of unbalanced audio signals, including synths and guitars.

Rating: 4.5/5 Stars. Time Crystals pairs Emergence Audio's sampling technologies with the resonance of quartz singing bowls...

Acustica’s soft synth debut is a recreation of everyone’s favourite ’80s polysynth.

iamReverb say that convolution reverbs share an inherent flaw — which only their novel IR recording technique can overcome.

The DitDit takes text as its stimulus and spits out Morse code, which makes for ideal translation into a language of triggers and gates...

beyerdynamic’s first ever in‑ear range comes in multiple flavours, including an explicitly studio‑focused model, the DT 70 IE.

With its compact footprint and the option to run from a built‑in battery, the ProFX10 Go is Mackie’s most portable mixer ever.

Need a better power supply? Then these boxes are worth checking out.

The right studio furniture can transform your workflow. We round up some of the best current options.

Whether you’re mixing or mastering in stereo, surround or immersive formats, this powerful virtual monitor controller could soon become indispensable.

We put this new plug-in to the test to see if it delivers on its promise of being an authentic emulation with useful digital trimmings.

Rating: ★ ★ ★ ★ ★ 5/5 Stars. Elpiano covers a range of mechanical and electronic piano models that may then be processed via a choice of five different speaker cabinets.

Is there substance as well as style to Warm Audio’s Danish‑inspired ribbon mic?

The latest addition to Orchestral Tools’ Berlin series of sample libraries shines the spotlight on the soloists.