SOUND ON SOUND
With two different distortion stages, an insert point and external controls aplenty, could this be the only overdrive you need?
Rating: ★ ★ ★ ★ ★ 5/5 Stars.
UA’s Volt range reaches its full potential with their rackmounting, multi‑channel USB interface.
If you’re looking for more than reverb from your reverb pedal, you really should check out EHX’s latest powerhouse...
Can a MIDI interface really make a difference? Innerclock Systems think so.
At last, the channel compressor of Neve’s flagship 88R console is available in 500‑series form!
Future Sound Systems’ debut desktop is very much in a class of its own.
Boss’ latest attempts to rise to the challenge of polyphonic pitch-shifting are the compact XS‑1 and the larger, more controllable, XS‑100.
Sony aren’t the first company to promise believable surround sound on headphones. But are they the first to deliver it?
The latest generation of Clavia’s organ series introduces some pretty big changes.
Inspired by Studer’s classic 169 console, this handmade EQ is just as suited to mixing work as it is to tracking and mastering.
Sequencing in Eurorack has always felt like a bit of a problem. How does the Tobinski Sequencer's approach weigh up?
Erica Synths have resurrected the now‑legendary Hexinverter percussion modules to create a drum machine that’s as immediate and playable as it is individual.
Lauten’s latest makes crafting the perfect bass drum sound a breeze.
These pocket‑sized microphone pairs provide an easily understood entry point to Schoeps’ comprehensive catalogue.
Whether you want natural pitch correction or the classic pitch‑glitch effect, AutoTune 2026 aims to make things easy.
This all‑analogue affair takes modulation well beyond the bread‑and‑butter chorus and flanger effects.
Neural DSP’s latest guitar‑rig modelling plug‑in range caters for the modern metal and rock community.
There’s more choice than ever in the world of control surfaces. We check out some current options that won’t relieve you of too much space.