SOUND ON SOUND
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When the opportunity came to work with his childhood heroes Judas Priest, Andy Sneap didn’t just engineer and produce — he also mixed, mastered, and became the band’s touring guitarist.
The amazing success of the Barbie movie was powered by its music. Mark Ronson and Andrew Wyatt were the producers, songwriters and composers who helped to turn the world pink.
Many classic electric guitar sounds have been captured using just one microphone. So when and why might you use more?
Here's how to create a convincing double-tracking effect in Logic Pro X.
There are many ways to set up Pro Tools tracks, and not all of them are created equal!
Cubase’s audio transpose features open up some interesting creative possibilities.
Hip-hop collective Brockhampton abandoned their home studios for Abbey Road — and left with a number one album.
The success of Kesha’s ‘Praying’ justified the lengths that Jon Castelli went to to get the perfect mix — eventually!
Behind every virtual band, there are real producers and engineers. In the case of Gorillaz, they were Anthony Khan and Stephen Sedgwick.
Beyoncé’s right-hand man DJ Swivel has reinvented himself as a mix engineer — and his work with the Chainsmokers produced 2016’s biggest track.
Engineer, mixer and producer Carlo Montagnese likens his work with the Weeknd to painting — and he’s not afraid to use plenty of colour!
Working on Muse’s hit album Drones gave Tommaso Colliva and Rich Costey unique insight into the extraordinary methods of hitmaking producer ‘Mutt’ Lange.
In their conquest of the pop charts, Pentatonix’s only weapons were the human voice — and the skills of mix engineer Ed Boyer.
What do you get if you cross Frank Sinatra and Queen? Producer Jake Sinclair and mixer Claudius Mittendorfer helped Panic! At The Disco’s Brendon Urie find out...
Live rooms and headphones can kill the mood for some vocalists — so why not ditch the cans and record in front of your monitors?
IKs original T-Racks invented the idea of one-stop shop software for master processing. Do the improvements in version 3 keep it ahead of its rivals?
MOTU have brought their expertise to bear on a new desktop audio interface, the Track 16.
Their latest album saw Aerosmith return to their roots, with Jack Douglas in the producer’s chair. But it wasn’t all retro...
Track freezing makes it possible to create much larger projects, and collaborate with other Live users who have different plug-ins, all without cramping your style.
This month, a look at how some of DP's features can be used to co-ordinate multiple finished tracks prior to burning an album or EP.