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Vic Lennard sets out his stall on all matters Mac...

I am aiming to write music for TV and have been trying to practise on TV programmes recorded onto video. I own an Atari...

Audio equipment is expensive, so it pays to keep it in good condition and forestall potential problems. Paul White provides a few tips.

The array of choices which confronts anyone trying to buy a new PC can be bewildering. Fortunately, as Martin Walker explains, there are retailers out there who can eliminate the hassle and uncertainty.

Antares' latest plug-in can, it is claimed, alter a recording made with one model of mic so that it sounds as if it was done with another. But can you really make any budget mic sound like a high-end classic? Paul White investigates.

Korg's longstanding OASYS synthesis project has finally come to commercial fruition. The original plan, to produce a traditional stand-alone synthesizer, has given way to a computer-based synthesis and mixing environment running on a multi-DSP PCI card. Simon Trask takes refuge with the OASYS PCI...

Last time, we examined the concept of modulation at low frequencies. This month, we speed things up a bit. The result is not just faster versions of the same modulation effects, but a new type of synthesis...

Digital mixers may have become fashionable in recent years, but analogue consoles still have a lot to offer. Hugh Robjohns takes a look at a high-spec, mid-budget in-line console from newcomers Audient.

To mark 35 years in the business of audio design, Oram have launched a special limited edition 'Hi‑Def' equaliser. Hugh Robjohns tries out this attractively priced derivative of the famed HDEQ2.