SOUND ON SOUND
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Perhaps the only classic Hollywood recording studio of this type that is still open today, Boulevard began as Continental Recorders around 1966. It changed name to Producer’s Workshop, before going on to create musical history in the 1970s.
Digital amp modelling has come a long way, but some guitarists still miss the ‘feel’ of a real amp on stage. Enter the Gemini 2.
In the making of Alabama Shakes’ Sound & Color, producer Blake Mills and engineer Shawn Everett had almost unheard–of licence to experiment — and took full advantage.
Now considered one of the classic tracks of the 1960s, the Zombies’ ‘Time Of The Season’ almost disappeared without trace...
The single ‘Downtown’ gave Petula Clark a worldwide hit and rejuvenated her career. Presiding over the session was engineer Ray Prickett, who tells us how it happened...
The subtitle of this library — The Michael Ripoll Project — calls to mind progressive rock outfit the Alan Parsons Project,...
What do you get if you cross Frank Sinatra and Queen? Producer Jake Sinclair and mixer Claudius Mittendorfer helped Panic! At The Disco’s Brendon Urie find out...
A project that was started to help unsigned bands show solidarity with victims of the Paris attacks has grown to unite musicians, artists and film-makers from around the world. And it’s not finished yet...
When the Clash entered the studio for the first time they were determined not to sacrifice their punk principles, and the fates — not to mention a sympathetic engineer and a negligent record company — were on their side...
The same pitfalls present themselves time and again in project-studio recording. Learn to avoid them and your tracking sessions will be transformed!
Recording the centrepiece of Spiritualized’s celebrated space rock masterpiece took engineer Darren Allison on a trip into the unexpected.
Find out how Sonar’s new Lens feature can help you streamline the user interface for the task at hand.
It took a while for Bob Dylan to hit his stride on his seventh studio album, but once he did there was no stopping him. Producer Bob Johnston recalls the difficult birth of Blonde On Blonde.
To make a splash with a new season of musical drama Nashville, the producers opted for a high-risk strategy: live music segments, performed as the show aired.
The success of Deftones’ Gore album is reward for the band’s restless experimentation — and for the work of engineer, producer and mixer Matt Hyde.
The success of Slaves’ debut album depended on producer Jolyon Thomas finding a way to bottle their raw live energy.
When cult funk band Cymande returned to the studio, they insisted on hiring the same production team — 41 years after their previous album...
Nearly 30 years after they burst onto the scene, Bon Jovi continue to top charts worldwide.
Star producer Ariel Rechtshaid inhabits many different musical worlds at once. No wonder he’s busy...