Extract Vocals From A Stereo Mix
Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.
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Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.
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Pitch-correction software has lots of uses besides putting vocals in tune! We uncover the creative roles to which today’s pitch processors can be employed.
I’ve been using the Haas delay effect to add some nice width to my guitar parts. It sounds great, but I’ve noticed that when I listen in mono my guitars pretty much disappear from the mix. Any advice?
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I have been recording music for quite a few years now, but I always get the same problem when I listen back to my mixes:...
Last month we discussed how to prepare mixes so that they are ready for the mastering engineer. This month, we look inside the mastering room during the processing of an album, to see what kind of equipment is used, and the sort of processes that are applied to finish the tracks to the required standard.
I was wondering if it's possible to use a single mono compressor that can be stereo linked (the Focusrite ISA430, for...
I am recording using a spaced-pair miking setup and I want to apply light compression to the signal. Where in the signal chain should I insert the compressor (pre- or post-fade), and will I have to buy a dedicated stereo compressor to do the job properly?
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All of the main MIDI + Audio sequencers now have a bewildering array of compression and limiting plug-ins built in, but many home musicians are unclear about what all those controls and options do. And with so many varieties of each plug-in available, which one should you choose for the job in hand?
Paul White further explores the secrets of successful compression, and explains how to use advanced techniques for mastering your mixes.
Paul White looks at different gain-control elements and their effect on audio.
In the final part of his short series on pushing back the boundaries of effects processing, Paul White explores many different applications of audio filters, as well as exploring the possibilities of granular synthesis.
The way you use effects and processors can make or break a mix. Paul White offers 20 useful tips to help you get it right first time.