
Moodscaper By Rob Jackson
Moodscape’s Autoplay button is a wonderful introduction to its charms. With a single touch, it generates a musical artwork that’s different every time...
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Moodscape’s Autoplay button is a wonderful introduction to its charms. With a single touch, it generates a musical artwork that’s different every time...

UK company Aston made waves with their British-made Origin mic, and now they’re back with a classy multi-pattern model.

Cubase’s Groove Agent SE4 isn’t the most intuitive drum machine, but it’s well worth getting to grips with.

If you’re looking for a no-frills, all-in-one speaker processor, this digital device ticks all the boxes at a very agreeable price.

The OB6 is the product of a collaboration between two of the most respected names in synthesizer design, and it doesn’t disappoint...

Fluid Audio’s decision to use a ribbon tweeter in a dual-concentric speaker is an unusual one. We find out how it works in practice.

The Swedish manufacturers resurrect a long-gone studio classic.

The curious Gizmo polyphonic guitar sustainer is reborn. Can this new version succeed where the original failed?

Is it time to burn a few musical bridges, experiment with a more Eno-esque approach, and turn off the click track?

We look at the different ways in which you can animate parameters in Ableton Live.

Reinvented by a little-known Norwegian production team, a song about not being famous any more made Mike Posner more famous than ever...

Easily play and write in any key with Logic Pro’s MIDI tools.

The MicroGranny 2 is a miniature granular sampler, and you won’t have to sell any of your elderly relations to get one.

Drips is a complete analogue drum voice that can be tweaked to produce kicks, snares, hi-hats and so on as well as Kraftwerk-style zaps and thwaps.

This compact module will serve as four linear VCAs or as a four-input mixer — for audio or control signals.

Rebel Technology’s Phoreo [Rendering its name in Greek will break the SOS publishing software — Ed] is a clock,...

The Silent Majority: sometimes the best way to improve a mix is to take a break from it.


Soon, for the first time in 35 years, you will be a able to walk into a shop and buy a brand-new Minimoog. But will it be as good as the original? Find out in our exclusive review.

Persistence is a virtue every composer needs, but you can take it too far.