SOUND ON SOUND
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The 810 comprises of a VCO, VCF and VCA, packed into a single 30HP module. Together they can be used as a single, Roland-flavoured analogue voice.
If you want an affordable audio interface that also offers control of your modular system, read on...
Nektar's Panorama T4 takes their already impressive DAW integration to a higher level.
A new library sees the Berlin orchestral sample maestros enter the Fourth Dimension.
The Pro Tools Preferences offer a surprising number of ways to configure operation to your tastes.
I can't find an all-pass filter plug-in in Logic, or an obvious freeware — can you recommend anything?
I just purchased a pair of Neumann KH120A monitor speakers and am in the process of calibrating them for my room. Can I adjust each monitor differently?
I read that 1dB is the minimum difference in volume that can be noticed, but I often end up doing much smaller changes in mixes. Am I fooling myself?
Can I get good results on a Dobro that has a Shertler Basik on‑board mic, or will I need a piezo pickup?
Rating: ***** 5/5 Stars. The iconic timbre of this vintage keyboard is impeccably captured in this 500MB Kontakt sample library.
Rating: ***** 5/5 Stars. Covering electric rather than orchestral basses, as well as three playable electric bass guitars, this 6GB library includes a whole range of useful bass-rich content.
Sonuscore bundle an awful lot of orchestra into a very modest amount of disk space to deliver immense scoring power.
Studio housekeeping is never glamorous, but a few minutes spent cleaning plugs and sockets can save hours of troubleshooting.
Studio One's Multi-Instrument environment can make even the simplest instrument sound like a million dollars! Find out how...
To help you brush up on your listening skills, we examine the production of some recent hits from Logic, Ed Sheeran, Lil Nas X and Paul Hardcastle's No.1 sampling classic '19'.
Many engineers believe that Neumann's classic KM84 has never been bettered. Have Warm Audio produced an affordable alternative?
Don't get me wrong, I still love my tube amp. But the quality–of–life improvements that this device has brought to the table (or stage) is undeniable.
Getting vocals to 'sit right' can require a lot more than setting the fader and applying EQ. We asked a number of engineers how they do it.
The advice of professional acousticians can be hard to evaluate on paper — but what if you could actually hear the results of their work before building starts?
Our engineer tracks and comps some piano and vocal performances, before overdubbing both real and sampled string parts.