SOUND ON SOUND
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Need a better arpeggiator? Cubase’s Pattern Editor can deliver the goods!
The fearless sonic experimentation of composers Evgueni and Sacha Galperine is proving equally at home in mainstream and arthouse cinema — not to mention last year’s surprise hit TV series Baby Reindeer.
They might come in guitar pedal format, but the Auto Series effects have much in common with modular synths...
We explore some creative delay treatments using only Logic’s bundled plug‑ins.
The B.Beat Pro 16 is much more than just a dedicated hardware backing track player...
We invited five top mix engineers to share some of the key ‘aha’ moments in their mixing journey, and to offer advice for those who’ve recently embarked on their own.
Those familiar with my reviews might have sussed by now that, when describing multifunctional modules, I do my level best...
Overloud’s amp emulation has been treated to new features and a facelift.
Somehow RME have managed to make their world‑class converter even better!
How does Roland’s V‑Stage fare against the other big red stage keyboards in town?
Boasting a custom Rupert Neve‑designed transformer, one of the best‑sounding DI circuits out there just got more affordable.
Subtle issues with the frequency balance can stop mixes from translating well to different listening systems. We offer a couple of suggestions that can help.
Speed up your S1 session navigation with these pro‑user tips.
Vanguard’s new stereo mic is an exclusive tribute to an even more exclusive original.
This new ARA2 plug‑in aims to make aligning doubles and backing vocal stacks a breeze.
The latest addition to Orchestral Tools’ Berlin series of sample libraries shines the spotlight on the soloists.
Multiband Splitter opens up a whole new world of processing options.
SSL have chosen not to build mic preamps into their new Alpha 8 ADAT expander — but they have included a whole heap of other features.
Metalcore presents unique production challenges — and few are better placed to meet them than genre veteran Jordan Fish.