SOUND ON SOUND
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I've just got hold of an Oktava valve mic. Having not used one before, I was wondering if there are any general rules or guidelines I should be aware of when using valve mics?
I've been told that I should use an analogue compressor or voice channel with compression as a front end when recording digitally, as this will reduce the dynamic range of the input signal and make better use of the A-D converter's available bit depth. Is this true?
Can you tell me how virtual surround systems work? How is a '3D' effect achieved with two speakers?
A friend of mine has a couple of old stereo tape reels which he'd like to transfer to CD. I've seen stereo reel-to-reel tape machines for sale and I'm considering investing in one, probably a Studer or a Revox, not only to help out my friend, but also because I'm interested in experimenting with tape loops and tape saturation effects. Are old machines by these manufacturers reliable?
SOS's 2003 Reader Survey told us that you want our help in getting the best from this popular package — and we're happy to oblige with a new monthly column.
Shaun Hayward & Joe Kenny of Chunc Productions reveal their gear setup and musical motivations.
Appraisals of the latest sample CDs: Alma Flamenco • A Funky Future • Vienna Overdrive • Cuckooland Completely Bonkers.
Get the most from your computer's CPU by learning how to put your effects plug-ins where they really count. Plus, find out how to increase your mixing power by incorporating hardware effects units into your software mixdown.
Over the last 10 years, Sibelius Software have built a reputation for providing what most musicians consider to be the leading scorewriting software. Now, in version 3, they have teamed up with Native Instruments to provide enhanced playback facilities — but does this upgrade live up to the high standards set by previous releases?
We explain how to transfer projects between DAWs that speak OMF, and look at some clever envelope tricks.
This slim mixer has been designed from the ground up to cater specifically for computer studio users. But have Soundcraft got the balance of facilities right?
Who'd want to be a writer of manuals? The endless showbiz parties, awards, book-signings and... hang on a minute...
Two effect pedals from the celebrated synth manufacturer provide serious modulation flexibility within a stomp-box format.
In 1996, the Fugees came like a breath of fresh air into a world of hip-hop that was becoming stale around the edges. Now Wyclef Jean is a star in his own right, and has deployed his production talents for artists ranging from urban legends like Funkmaster Flex and Cypress Hill to Whitney Houston, Michael Jackson and even Tom Jones.
The SOS team help Peter May to brush up his drum sounds and put more life into his mixes.
After more than five years, Synth Secrets reaches its conclusion (and conclusions!). Will we ever look at synthesis in quite the same way again?
We conclude our look at DP's Consoles, and suggests some ways of 'future-proofing' your Projects against the relentless flow of application and plug-in updates.
The UK’s Macworld magazine, in association with Sound On Sound, will present a dedicated seminar on making music with a Mac later this year.
It seems that Sound On Sound readers have even more in common with Macworld readers than we thought... like football,...