
Roland XV & JV Power User Tips: Part 2
We untangle the intricacies of the XV file system, as well as track down some useful software utilities and web sites for Roland synth users.
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We untangle the intricacies of the XV file system, as well as track down some useful software utilities and web sites for Roland synth users.
This affordable mini-mixer from Mackie brings their Tapco brand bang up to date.
A whole world of free, inexpensive or just plain great VST plug-ins opens up for DP 4 users who also run FXpansion's indispensable VST to AU Adapter. We check out how it works and round up some DP news and tips to boot.
Different mixing consoles and multitrackers have different kinds of faders — long- and short-throw, motorised, touch-sensitive, conductive plastic, and so on. Clearly, not all faders are created equal, but what are the essential differences?
I'm having trouble getting my Roland JV1080 to work well with Emagic Logic Audio. When I change MIDI channel in Logic the sound disappears, or I can't get the sounds that I want to stay put. How can I get Logic and the JV to synchronise?
The dome of the tweeter on one of my M-Audio Studiophile BX5 monitors has somehow got pushed inwards. Does this cause permanent damage? If it's advisable, how should I go about pulling it back out?
Can you please tell me how to set up the Korg Kaoss Pad KP2 as an ordinary pitch-bender?
In my hardware-based setup, with my TC electronics Triple*C compressor, is it possible to do the kind of limiting on a full mix where you end up with a waveform that is levelled off at the top and bottom, 'brick wall'-style?
I want to remix some old mono tracks in stereo. Can you offer any advice or suggest any tricks to achieve this?
How do you get that double-tracked vocal sound you hear on rap records? Are there any plug-ins I could use?
Absynth gets a significant overhaul, including tempo syncing, sample playback, granular synthesis and a module library. What do we think of it? Read on...
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If you play live regularly, sooner or later someone will suggest that you use a backing track on stage to enhance your performance. So here's how to go about creating them, based on experience learned the hard way!
Business End enables you to have your demo reviewed by a panel of producers, songwriters, musicians and managers from the Music Producer's Guild.
Buzz Audio's MA2.2 preamp made an excellent impression a year ago, but does its new little brother continue in the family tradition?
This month, Sound On Sound begins a major new series, looking back in detail at the engineering and production behind some of the most historically significant recordings ever made, with the story of the first and greatest British rock & roll record.
We report on Steinberg using Nuendo to record a three-day music festival, and look at how a Cubase Drum Map can assist you in finding and working with all the one-shot drum and percussion sounds in your studio.