SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Many of us can now afford the once-unthinkable luxury of making our own CDs, for one-off music demos, mass CD duplication or general data storage. But a few of us know the full story behind the numerous 'Book' standards governing the kind of data that can be stored on a CD. Mike Collins colours by numbers...
Homebrew software comes to the fore this month, as a Manchester studio decide to make the most of their vintage Atari — by producing their own programs. Derek Johnson gives them a big hand...
Have you ever been faced with recreating a mix that you haven't worked on for weeks? Martin Walker explains how he manages to do just that, without the benefit of expensive automated mixers or a tape-op with a notebook!
Chorus, phasing and flanging are very common processes, but they don't always achieve the effect you hoped for. Paul White offers a few tips.
Boss's popular 'Doctor' range of inexpensive and useful studio gear is now over 15 years old, but remains very much alive, and the Dr Sample SP202 is the latest newcomer, offering quick and easy sampling for DJs or beginners in the field. Chris Carter gives it a full physical...
Pro Tools moves up a bit (or eight) and Mackie's dedicated hardware controller for the system finally arrives. Mike Collins gets an advanced viewing.
Digital devices need synchronisation just as much as analogue ones, and this new offering from Digidesign aims to be a one-box solution for most audio and visual sync requirements. Mike Collins says it's about time...
Paul White tries out a new range of European software plug-ins with stylish interfaces and innovative features.
The latest version of this popular audio sequencer sees Emagic's answer to competitor Steinberg's VST built-in effects. But there's rather more to this significant upgrade than that, as Paul White reports.
For the synth afictionado, the ARP Odyssey is up there with the Minimoog in terms of its power and sonic quality. Gordon Reid explains why he loves his Ody...
Paul White listens in on the new headphone amplifier from British makers DACS Audio.
Apart from a few MIDI-supported commands, the Doepfer MS404 is completely analogue — so there are no patch memories, no SysEx, and no storable front-panel settings. Chris Carter explains why you'd nevertheless be mad to overlook it...
Can new technology really emulate vintage equipment, or do you have to use vintage parts? Paul White test a modern compressor that claims chameleon-like abilities to emulate classic compression sounds.
Morcheeba make their weird and wonderful music in a studio in Clapham that used to belong to The Orb. To find out more about the band and their gear, Sue Sillitoe ventured south of the river to meet Paul Godfrey and the band's programmer and producer Pete Norris.
The perpetrators of recent smash hit 'Da Ya Think I'm Sexy?' might look like a leopardskin-clad disco covers band composed of several people, but in fact they're the pet electronic project of two Mancunians with their heads firmly screwed on an eye to the future of dance music.
Quasimidi are delivering on their promise to provide new goodies for owners of the 309 dance box. Derek Johnson raves a bit...
SPL claim to have come up with a completely new type of compressor. Paul White puts their assertions to the test.
It started in 88, dropped to 38, now rises to 98... no, it's not the chart performance of the new Spice Girls album, but Tascam's rather strange way of numbering the models in their respected DA series of digital multitrack recorders. Hugh Robjohns checks out the new flagship in the range.
Drum kit miking is a black art as far as many project studio owners are concerned. Yet, as Benedict Grant explains in the first of this two‑part series, there's no need to let the kit beat you...
This inventive American has graduated from aiding and abetting producer Mitchell Froom in his sonic escapades to full production duties on a variety of live and studio albums. Paul Tingen talks to a devotee of binaural recording who's more than just a dummy head.