SOUND ON SOUND
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Can M-Audio's ambitious pad controller offer something new in the era of hybrid beat workstations?
The Minimoog is not exactly short of software tributes. How does NI's measure up?
The greatest enemy of original music in TV and film is, well, the original music.
Though it has a control panel that looks like a Klingon's duvet cover and an introduction that suggests it was inspired by an alien abduction, the aptly named Pusher is at heart a rather elegant enhancement device.
Big Kick is one of those specialist plug‑ins that, as soon as you install it, makes you wonder how you ever managed without....
The bus compressor installed in ABBA's Harrison console is now available 'to go'.
PreSonus' attempt to make digital mixing feel like analogue pays dividends in this new flagship model from the popular StudioLive range.
The first step to setting up a Pro Tools session is to understand what its different track types are for.
Use Reaper's SWS Extensions to automatically add colour and icons to your tracks.
Rob Papen's venerable soft synth gets a comprehensive update.
Thirteen acts playing two sets each, in an historic venue, with minimal changeover time? It's all in a day's work for our intrepid live‑sound engineer.
Roland have condensed their considerable synthesizer workstation expertise into a single, affordable instrument.
Studio One's macros can take the legwork out of repetitive tasks.
Archtop's sample collection is based on just one instrument, namely a customised Sadowsky Jim Hall hollow‑body arch‑top guitar with dual pickups.
From Rhythmic Robot, the instrument that goes 'boing'. I'm trying to think who else would collect 38MB of samples of a 1920s laboratory tuning fork?
So far in the pages of SOS we have looked at two Drumdrops products — the Vintage 1963 Premier kit and the Rogers Big R Dub...
As its title suggests, Upright Bass offers around 1GB of solo upright bass loops — just over 400 in total — covering a range...