
PreSonus VXP
Paul White looks at a new voice channel which packs a lot of features into a small space.
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Paul White looks at a new voice channel which packs a lot of features into a small space.

The manufacturers proudly claim that this is "the most flexible four-channel preamp in history." And it's no idle marketing boast...

The new baby of the Blue Sky range brings their design philosophy to the small computer studio. But will the 'satellite plus subwoofer' configuration and closed-box speaker loading work as well on a small scale as it does in the company's larger systems?

Yamaha's list of mLAN products continues to grow, and their rackmounting i88X offers high-quality mic preamps, analogue, digital and MIDI I/O in a 1U rack unit.

The celebrated mix-buss compressor design from the G-series consoles has been brought up to date using SSL's latest Superanalogue circuitry.

Events new owners make some extravagant claims for these new high-end monitors, whose design is said to put quality first. Do they live up to the hype?

Can the iPad really be a serious recording tool? When you add a state-of-the-art audio interface from RME, quite possibly...

Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.

The world is not short of sampling sequencers at the moment, so what does the Roland SP555 have to make it worthy of your attention?

Thought you'd seen the death of the large-format console? Think again, as you read our exclusive preview of this modern take on classic Neve designs.

With over 50 Studio SOS visits under our belt, we thought it was time to discuss some of the most common studio problems we've tackled.

Paul White gets behind the wheel of Tascam's new pro DAT recorder and finds it delivers a comfortable ride.

Paul White auditions Quested's new active nearfield monitors and discovers there's no baby booming going on here.

Combining their vast live sound experience with the success of their 328 digital mixer, Spirit have launched a specialised version of the desk, intended for live sound work. The new 324 model, however, is also well adapted to recording, so Hugh Robjohns checks it out in both applications.

Paul White tests the latest incarnation of the Joemeek VC3, which now sports a three band equaliser in addition to its mic/line preamp and opto-compressor.

M-Audio are perhaps better known for their studio and computer-based peripherals, but they now have a microphone range, to which has been added a stage-specific model. We put the Aries through its paces.

Schoeps make some of the most revered mics on the planet, so when they release a commercial version of the mic preamp they use for testing, you have to take it seriously...

These new speakers from M&K let you switch between reflex and infinite-baffle designs on a whim.

The capsule within this microphone has a diaphragm coated with titanium, rather than the usual gold. We find out whether it makes any sonic difference...

Audient's latest analogue console has turned the DAW-controller concept on its head, taking advantage of mainstream DAW software to provide fader automation and recall.