SOUND ON SOUND
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Edirol's first foray into Firewire audio is a compact 10-in, 10-out device with microphone preamps, S/PDIF and MIDI.
Focusrites Saffire Pro interfaces already offer excellent value for money, but imagine if you could add two channels of any preamp you wanted...
A compact active monitor for high-quality listening at low-to-medium sound levels.
This new small-diaphragm mic provides a good upgrade path for home studios currently working with just dynamic models.
Recording gigs can be challenging, particularly given the constraints imposed by typical small and medium venues. But capturing a great performance, complete with all the atmosphere of the night, can be a hugely rewarding experience.
Vocal booths arent always the right solution to problems with live-room acoustics, but if you do need to build one, it can be done with some DIY skills and a lot of elbow-grease...
Paul White tries out TLA's combination of front end and parametric equaliser.
If you want more of everything digital, why not try 24-bit recording at a 96kHz sample rate? Martin Walker is floored as his dynamics increase in leaps and bounds.
Martin Walker tries out a good-value, British-built studio power amp.
The model number might lead you to believe the C3000B is a variant of the C3000, but it has a totally different capsule and is designed to produce a tonal response that is quite different.
Although it has an exceptionally low-mass diaphragm, just two microns thick, the AT4047/SV is still remarkably robust.
Paul White goes green with the latest JoeMeek recording channel.
The latest addition to JBL's LSR series of monitor speakers is a small nearfield two-way active system. Hugh Robjohns lends them his ears.
Paul White evaluates Rode's reincarnated Tube Classic microphone to see whether technical progress has compromised the sound or improved it.
Focusrite hot up the competition by offering eight channels of Platinum-series preamplification, with optional digital conversion, at a surprisingly affordable price point.
The performance of Samson's new project-studio speakers shifts up a gear courtesy of brand-new ribbon-tweeter technology.
The B1 may seem like just another cheap Chinese mic, but it punches well above its league.