SOUND ON SOUND
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We aim for more punch, depth and clarity in a quirky urban track.
Audio files to accompany the article.
Dynamic convolution can be used to ‘sample’ any piece of audio gear. Have Acustica succeeded in giving this advanced technology a friendly face?
Native Instruments’ flagship soft sampler continues to improve with age. We look at what’s new in version 5.
If hisses, clicks, thumps or hums wreck a great take, don’t panic: do something about it!
Audio files to accompany the article.
We all have musical skeletons in our closets, but at least media composers don’t have to wheel them out every night at Wembley Arena.
Economic uncertainty and the rise of digital distribution have taken their toll on many major studios, but there is still a future for them.
With expected component shortages and the consequent rise in hard‑drive prices, what can the PC musician expect from 2012?
Boasting two custom drivers, are Phonak’s new universal IEMs the best monitoring solution for mixing on the move?
The StudioLive range of mixer interfaces now includes a compact 16-channel model.We find out how well it performs on the road.
We examine the Swedish soft-synth specialists’ first foray into the world of hardware: the Balance.
PSP’s latest equaliser seeks to combine analogue smoothness with digital precision.
Save time and protect yourself from RSI by learning to edit audio in Pro Tools from the QWERTY keyboard.
Soundhack’s powerful algorithms can provide high‑quality pitch‑shifting — or sonic mayhem!
Is there any difference between the quality of S/PDIF connections on low-end and high-end soundcards, or am I right in...
Can you explain a few things about creating MP3s? I'm currently converting WAVs to 24-bit, 44.1kHz and then converting them to...
I thought I had the whole M/S thing down until I listened to a commercial record and realised their stereo image was wider...
I've heard a lot about high-pass filtering tracks to reduce clutter at mixdown, but not as much about low-pass filtering in...