SOUND ON SOUND
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To get the most from Avid's Structure sampler, you need to work with your own sounds. Here's how.
Tempo mapping in Reaper can be quick and easy — so switch off that click and get playing!
Reason's sampling instrument Kong.
The new recording channel from Rupert Neve is more than just the sum of his existing Portico processor modules...
Steve Brown had never produced a record or recorded live drums before he met singer-songwriter Rumer. Half a million album sales later, her faith in the partnership has paid off.
SE's new siblings employ the same capsule as previous Gemini designs - but they're very different mics...
Sonar's EQ capabilities take a huge step forward with X1's ProChannel.
Does copying classic gear devalue its designers?
This month, the SOS team tame a couple of square rooms and help a guitarist to master his Logic DAW setup.
Tortoise have spent the last 20 years defying the conventions of rock music — and forging a unique approach to studio recording.
Many limiters are designed to be as transparent as possible - but Inward Connections' TSL3 is built to sprinkle valve magic over your music.
Can UA's Studer plug-in really reproduce the sound of saturated multitrack tape in all its glory? To find out, we tracked down a real Studer A800, a top-flight studio and a hitmaking band...
These audio files accompany the Universal Audio Studer A800 review that featured in SOS March 2011.
Re-amping has the potential to give us infinite choice, but is that always what we need? Studio Devil's amp modelling plug-in concentrates on getting the sound right.
These audio files accompany the Studio Devil Virtual Guitar Amp II review that appeared in SOS March 2011.
Paul White checks out this neat little upgraded guitar amplifier from Vox.
Alleluia! Cinesamples Voxos surround-ready choir delivers a near-religious experience.
