SOUND ON SOUND
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This unit from Coleman Audio makes a mark with its sonic integrity, despite its apparent lack of operational frills.
Several unusual new technologies have been combined in this new product from Fostex to create an accurate mixing tool.
I'm having a small vocal booth built within an open-plan office to record voiceovers for games and DVDs. The main reasons...
Although it has an exceptionally low-mass diaphragm, just two microns thick, the AT4047/SV is still remarkably robust.
Audio Recording For Profit is a real 'insider' guide to the business of making money from sound recording. The author...
We cross-examine James Wiltshire of the Freemasons to uncover the secrets of their phenomenal success as a production and remix team.
The crack team of Paul White and Hugh Robjohns have travelled the world solving readers' problems. Here, they down the Hob...
Does this lunchbox EQ module have the same power to thrill as the original Harrison console that inspired it?
Reason can be a simple yet surprisingly sophisticated mastering suite — and not just for audio generated in the Reason environment.
Electronic musician Dan Deacon takes audience involvement much further than most artists, often setting up his gear in the middle of the crowd. He speaks to us about his equipment and the philosophy behind his wild live shows.
Drumasonic’s eponymous software instrument offers detailed editing control over its generous library of drum and percussion sounds.
We explore the innovative hardware and software that is helping disabled musicians take their work to the stage.
Melding Beatlesque pop melodies with symphonic strings, multi-layered vocals and leader Jeff Lynne's generally overblown production of his own compositions
This month, we tame a reflective room, tweak vocal compressors and slay the Blue Screen Of Death.
Logic Pro users can run into problems when using RAM-hungry features and plug-ins. So how do you beat the memory trap?
Adele 'Someone Like You', Black Eyed Peas 'The Time (Dirty Bit)', The Ting Tings 'Hands', Rihanna 'What's My Name'
I am having serious earthing problems which are making it difficult for me to record a clean guitar sound. All my leads are good, and I don't have this problem with any of my other equipment — just the guitar stuff. Could it be a problem with my domestic mains supply?
How do you create a hit album that stands with the synthpop greats, yet at the same time sounds thoroughly modern? In Hurts' case, with a great deal of time and effort...
I run an Intel Pentium 4 PC with a Creative SoundBlaster Live soundcard as my default playout device, alongside an M-Audio...