SOUND ON SOUND
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Finnish company Genelec have long been admired for their high-end professional monitors, but have only recently started to fix the project studio market in their sights. Hugh Robjohns checks out their smallest and most affordable active monitors yet to see if quality as given way to cost considerations...
The Maxi Sound 64 is a new Plug and Play full-duplex soundcard with some pretty tasty features, cooked up by French company Guillemot International. Martin Walker tucks in.
There's never been a better time to burn your own CDs at home, as the price of CD writers and the necessary mastering software continues to fall. Now the Red Roaster bundle is bringing the homemade CD dream within the reach of Pentium PC owners. Janet Harniman-Cook experiences burning desires...
Paul D. Lehrman discovers things he never knew about his recordings...
Despite having waited eight years to create the follow-up to his 1988 solo album, experimental composer Harold Budd composed and recorded the new album, Luxa, in just 11 days.
When the Korg Trinity was launched more than a year ago, the list of expansions it would be able to host seemed too good to be true. Now they're all finally available, Paul Wiffen takes stock of the options.
Paul White explores the far reaches of space with the first of a new generation of effects processors from Lexicon.
Mike Collins studio-tests a versatile new interface, which works with both Mac and PC and provides professional-level functionality at the right price.
Optifile's new VCA automation system is designed to make professional quality automation affordable. Paul White finds out to what extent they've succeeded.
The Deltafex Digital Stereo Effects Processor offers a stripped-down price to match its streamlined facilities. David Mellor checks it out..
Philip Rees have added yet another useful little box to their popular range of MIDI problem solvers. Derek Johnson gets converted.
The DSP-FX is the world's first 32-bit floating point digital effects processing system with a visual interface. It also comes on a standard ISA card for installation in a desktop PC. Dominic Hawken plugs 'n' plays.
Paul White makes a bid to trip up the SPL de-esser, but even the phrase 'several sad somnambulists sincerely take tea tearing tickets till sunset' does little to ruffle its electronic feathers.
Paul White plugs his very real guitar into a virtual amp and gets down to playing some unimaginable music.
Akai's new CD3000XL features the 32-voice polyphony, expansion options, DSP functions and other goodies of the S3000XL, but adds a built-in CD-ROM drive for good measure. Paul Ward takes it for a spin.
Though Tascam have embraced the digital generation of Portastudios with their MiniDisk-based 564, they're not about to abandon the low-cost analogue cassette format yet, as proved by their latest analogue machine, the 414. Derek Johnson gets it taped.
Software-based noise removal systems are one way of restoring defective recordings, such as vocal takes ruined by mains hum, or crackly recordings from vinyl — but such systems can be very expensive. The relatively low-cost DART Pro seeks to change all that. Panicos Georghiades and Gabriel Jacobs clean up all round.
Paul Ward dons a Miami Vice-style jacket and a pair of pink-rimmed Armani shades, and travels back to the '80s heyday of FM synthesis for a retro look at the one-time flagship of Yamaha's synth range, the multitimbral TX802 expander.
Paul White talks to Symetrix President Dane Butcher about the birth of a new PC hardware range, Lucid, intended up to open up the world of high-quality computer-based digital audio at an affordable price.
When techno gurus Eat Static's last album entered the UK charts at number 11 the techno duo threatened to overshadow the achievements of their previous group, Ozric Tentacles. On the eve of their follow-up, Jonathan Miller teleports to darkest Somerset to face conspiracy theories relating 'recovered' alien spacecraft to developments in music technology...