SOUND ON SOUND
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The making of Barbra Streisand’s latest hit album, Encore, offers a window into the unique philosophy of hit-making producer and engineer David Reitzas.
M-S miking is already a versatile technique, but it can be built upon to provide surround-sound recording and a whole lot more besides!
Remasters and remixes are proven means of exploiting old records — but as the recent success of music-based video games has shown, there might be more mileage in un-mixing them...
Keeping the BBC’s flagship classical music show at the top of its game requires serious engineering skill — and the ability to cope with the unexpected!
Hardware systems for generating MIDI output from guitars are often expensive, impractical and unreliable. Jam Origin's revolutionary software alternative is none of these things.
The art of music production lies in serving the song — and working with James Taylor, Dave O’Donnell felt that modern production trends would hinder his aim of capturing emotive performances.
In mixing a live recording of a jazz concert, our engineer had to overcome some unusual spill-related challenges.
When you can’t crank up the amp and mic it up, what’s the best way to record electric guitar?
In 1987, swimming against the tide of MIDI–powered pop records, Cowboy Junkies went into a church to record an album into a single microphone in a single day.
The 9.4 software release sees Universal Audio add a modern classic to their plug-in range.
With Live 10, Ableton’s aim is to make the music‑making process as smooth as possible. Have they succeeded?
With a stellar line-up of producers, engineers and co-writers behind her, Lana Del Rey appears to be unstoppable...
The Strokes’ comeback single was the product of three years of songwriting, 18 months of recording — and 30 minutes of mixing!
Located in the village of Loguivy-Plougras in Britanny, Kerwax is an intriguing new take on the concept of the residential studio
'Parisienne Walkways' showcased Gary Moore's virtuoso guitar work and quickly became his signature song. Its recording also provided a young engineer at Morgan Studios with his first, unexpected production credit.
It's a hard noise to verbalise, but it sounds like this: gu‑gu‑gu‑gu‑GRNZZZZ. Yes, folks, it's the unmistakable...
Ken Andrews won a blind shoot-out against some of the biggest names in the mixing world. His prize: the plum job of mixing Paramore’s acclaimed comeback album.
We conclude our review of PG Music’s unique music auto-generation package by exploring some of the more advanced ways you can shape its output.