SOUND ON SOUND
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Steve Howell investigates a single-channel MIDI-CV converter.
Derek Johnson examines a three-way MIDI expansion for the Atari ST.
Is this low-priced brother of the powerful TSR24 destined to find its way into the studio rack of the UK, or simply become part of the EC effects processor mountain? Derek Johnson finds out.
Emu took up the opportunity of a whistle-stop Autumn press tour to announce new products — including their lowest-priced sampler to date — which set the company's agenda for the coming months. Derek Johnson previews the new kit on the block.
Emu took up the opportunity of a whistle-stop Autumn press tour to announce new products — including their lowest-priced sampler to date — which set the company's agenda for the coming months. Derek Johnson previews the new kit on the block.
Jon Anderson discusses the recording of the Yes singer's forthcoming solo album, an intriguing mix of old and new material presented in a classical style, plus his latest venture with Yes.
Paul White takes the necessary Steppes to check out this innocuous looking mic and discovers a competent all-rounder.
The S760 sampler represented excellent value for money on its release back in February this year. Now it looks even more impressive, with the arrival of the OP760/1 expansion board and the v.2.12 system software. Paul Wiffen checks them out.
Behind the conventional facade of Yamaha's latest drum machine hides a section of sophisticated features — like 'human feel' groove quantisation, bass sounds and built-in digital effects. Paul Ward gets into the groove.
Where can you go to mess about on a Mini Moog, do battle with a Bulcha, operate an Odyssey, programme a PolyVoks or make friends with a modular? The Museum of Synthesizer Technology has all this and much more, and was recently opened by none other than Bob Moog at a star-studded ceremony. Julian Colbeck reports.
Fluke got their first low-key press attention in the late '80s for their innovative dance-based sound and inteligent, musicianly approach. Now they're gaining a higher profile for their varied remix work. Nigel Humberstone talks to the trio.
There are very few people who can make a living doing a job they really enjoy. Producer John Leckie feels he is one of the lucky ones — and that's why it irritates him when people he works with in the studio don't realise how lucky they are. He explains why he thinks that artists, engineers and producers should all count their blessings...
Seattle is known to many of us as the Grunge music capital of the world. If Mackie Designs have their way, it could also become known as the mixer capital of the world. Paul White went on a tour of Mackie's factory for the inside story on the company's history and product line.
Though the acoustic piano isn't exactly Paul White's forte, he (fortunately) knows rather more about miking it up than about playing it...
The MPC3000's dedicated sequencing and drum sampling control surface aims to tempt high-level musicians away from their computers with its luxurious hardware approach. David Mellor puts in a hard day's night and gives it the thumbs up.
Paul Austin brings you the future of the Amiga from the American angle, plus all the latest news from home and abroad... American Amiga Lightwave and Toaster.
Paul White looks at both sides of hard disk recording, and concludes that although it's generally a good thing, it isn't destined to take over the world just yet.
In two minds about which multi-effects box to choose? Craig Anderton provides some helpful pointers on what features to look for during your next shopping spree.
Following his article on the unconventional use of signal processors as mix automation equipment in out July issue, Paul Ward takes a general look at using equipment in ways that probably never occurred to the designers...
It is not always necessary to buy the big boys' top-of-the-range, feature-packed music software. Steven Helstrip compares seven budget PC sequencers, and proves that you don't have to sacrifice reliability or user-friendliness if you're trying to save your pennies.