SOUND ON SOUND
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Getting the macrodynamics of a song right while also nailing down the important rhythm can be a real challenge. We explore some techniques for tackling this and more on Moosmusics Big Dummy Shake.
Like the Doctor in the TARDIS, Yamaha's newest Walkstation sequencer is small but deceptively spacious. Martin Russ dons his floppy hat, winds his stripey scarf a little tighter, fortifies himself with another jelly baby, and enters a different dimention...
With their latest Superanalogue console, SSL bring the sonics and functionality of their flagship SL9000K to studios with smaller rooms and budgets. In the process, they've incorporated comprehensive control-surface facilities for driving computer DAWs remotely. But can the AWS900 really live up to its pedigree?
Apple renewed their commitment to music this month, both for those who listen to it and those who create it. We examine the latest developments, and take a more detailed look at the new iMac, which could offer enough power to be considered more than just an entry-level machine.
Beneath this innocent exterior lies a growling analogue beast that can help you create some truly unique sounds...
Technology has threatened to put drummers and guitarists out of work, but until now, singers have been safe. Is Yamaha's Vocaloid going to change all that?
One-time SOS writer Mark Cunningham hadn't produced an album for almost 10 years — until a soulful ex-prisoner inspired him to get back behind the desk...
The latest incarnation of Wave Arts' plug-in suite is a treat for the eyes and the ears.
The new SP808 has little in common with its namesake, the TR808; one was an analogue rhythm unit, the other is a feature-packed sampler, multitrack digital audio recorder, synth and remix tool. Clearly, Roland are hoping that some of the 'hi-tech classic' status of the TR will pass to the new SP.
Japan's YMO helped pioneer the use of electronic instruments and sampling. Now Uwe Schmidt, aka Señor Coconut, has used the same techniques to render their greatest hits as Latin dances, with contributions from all three original YMO members.
Gates are far more than just problem-solvers for reducing spill and noise. They can be used to add punch to drum sounds, put rhythmic interest into sustained parts or even as mixing automation.
EastWest/Quantum Leap launch their new 64-bit 'Play' sample engine with two sound libraries spanning nearly 50 years of rock.
Recording chamber music in Birmingham's Symphony Hall is not something you get to do every day, so SOS decided to make the most of the occasion by using two completely different setups, one based on professional equipment (manned by Hugh Robjohns) and one on project studio gear (operated by Paul White).
The celebrated mix-buss compressor design from the G-series consoles has been brought up to date using SSL's latest Superanalogue circuitry.
PREVIEW: Focusrite's Liquid Mix could be the hottest product of the year, using convolution technology to integrate a stellar range of vintage analogue EQ and compressor replicas into your DAW. We got our hands on a prototype to see whether it lives up to the hype... (A full test will follow in September 2006 issue.)
'70s band Magic Carpet waited 25 years to release a follow-up to their 1972 debut album — and '90s technology enabled them to do it all at home this time around. Alisha Sufit, who played, sang and engineered the sessions, explains how it all happened...
Reviews/appraisals of the latest sample CDs: Tekniks Xtreme House 2 ***** • PMI The Emperor ***** • Tekniks Ghetto Grooves 2 **** • PMI The Old Lady *****
In the past, tie-in video games have had to use samples to recreate real orchestral soundtracks from the original TV series or film. With 24: The Game, however, it was the other way around.
• Zero-G Phaedra • Marshall Jefferson House Generation • Platinum Samples Joe Barresi Evil Drums