SOUND ON SOUND
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M-Audio have applied the same economies of scale to this digital piano that they have to their controller keyboards, with the result that the Prokeys 88 retails for well under £500, with the cut-down Prokeys 88SX costing far less.
Nick Magnus gets his hands on an instrument which is claimed to provide the best reproduction yet of the feel — and sound — of an acoustic piano.
Almost a decade since the release of their classic EMT10, Yamaha have returned To the piano module market, spinning off some of the technology used in their top-end digital pianos and using it in an inexpensive half-rack expander format. Dave Crombie tickles the virtual ivories...
Alesis rereleased their Quadrasynth early last year to mixed reviews, and in response, an updated version has now been launched. Does it address some of the comments levelled at the previous instrument? Original Quadrasynth owner Mike Best finds out.
The latest version of EZkeys features a completely new sampled piano and introduces a range of powerful features that promise to make it a go-to songwriting instrument.
Spitfire's latest Originals library samples the legendary Wurlitzer electric piano, offering classic tones alongside new sounds which have created through additional processing and granular synthesis.
For anyone regularly needing to mic a grand piano, the Mirizio Microphone Mount is a very elegant and cost-effective solution.
I was called in half an hour before a concert to record a violin and piano concert at a school with the violinist Jennifer...
Can you recommend a mid-range (in terms of price) mic with a good off-axis response, for recording acoustic instruments?
Digidesign's march into MIDI sequencing territory continues with the launch of a plug-in emulating classic electric piano sounds.
Working with super–producer Jacquire King was a dream come true for James Bay. In a unique interview, King explains how he oversaw the recording of Bay’s hit debut album.
I want to trial some microphones on a 60-piece school orchestra performance, and I only get one shot at positioning the mics....
I'm wanting to get a recording setup on my PC, but I don't want to spend a great deal of money. Ideally, I'd like a...
In Play, American dance producer Moby made one of the albums of 1999, which owed its critical recognition in no small part to the hit single 'Why Does My Heart Feel So Bad?'. Tom Flint talks to Moby to find out how the track was made.
Reggae fan Daniel Boyle painstakingly researched the equipment Lee ‘Scratch’ Perry used in his groundbreaking Black Ark studio — then made an album with the dub legend himself.
Tortoise have spent the last 20 years defying the conventions of rock music — and forging a unique approach to studio recording.
Catatonia's rise from indie obscurity to pop dominance seems unstoppable and, with the first single from their new album, they're even targetting Radio 2 listeners. Matt Bell talks to producer Tommy D about the track's transformation from Akai DPS12 demo to Top Ten hit.
After poor sales of an album that dealt with death, Mr E and his Eels returned with a beautiful-sounding, poignant, and often funny record about life, recorded mainly in the basement of E's house. Matt Bell talks to E and his collaborators about how the album was made.
The standout track from Dido's debut album No Angel is known to millions as a TV theme, and is now a smash hit single in the UK. Sam Inglis talks to Pascal Gabriel, who co-wrote 'Here With Me' with Dido and his colleague Paul Statham, and programmer James Sanger, who helped to shape the final version.