SOUND ON SOUND
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Moving from last month's theoretical bass drum synth patch to its practical application on affordable analogue synths, we also take a look at how the world's most famous drum machines produce this fundamental rhythm sound.
High-profile synth programmer, remixer and recording artist Pete Gleadall is a man of many talents. Matt Bell talks to him about his part in the new Pet Shop Boys album, his work for George Michael, and the role of the modern programmer.
Gorillaz have made waves as the first 'virtual band' to achieve real chart success. Behind the animated characters, however, lurk real engineers and musicians... Sam Inglis tracks them down to find out how they recorded their debut hit.
Reviews/appraisals of the latest sample CDs: VSL Chamber Strings 6* • VSL French Oboe 6* • Zero-G Akoustik Bass Hitz 6* • PMI Consolidated! 3*
These new active nearfields from Wharfedale offer a polished sound for studio owners on a budget.
As explained last month, synthesizing the sound of an acoustic piano is difficult, but it can be done reasonably realistically, as the 1986-vintage Roland JX10 shows. We find out how Roland managed it...
The Strokes' Is This It was many critics' choice for the best album of 2001, and has gone platinum in the UK. Remarkably, it was recorded in a basic New York project studio by a then-unknown producer.
One-time lords of synth-pop, OMD have had a chequered 18-year history, but frontman Andy McCluskey genuinely believes their 10th and latest album ranks among the band's best work. Nigel Humberstone talks to McCluskey and producer Matthew Vaughan about the making of Universal.
If there's one thing most of us would like to know, it's how to make some extra money — and if we can do it through making music or producing audio, so much the better!
In these days of synths that stay in production for just a couple of years before being discontinued, respect is due to a keyboard design that's survived more than half a century of changing musical fashion and is still going strong. Hammond-lover Rod Sparks pulls out all the stops to bring you a personal organ odyssey.
Miriam Stockley is one of the premier session singers in the UK; but it's taken her until now to record an album of her own. She talks to Sue Sillitoe about recording the album in her new home studio.
More than 15 years after the release of their last album The Hunter, the four original members of Blondie are about to make a comeback with a brand-new album due out early in the new year. Long-time friend and producer Craig Leon tells Sue Sillitoe how this latest offering was recorded.
The process of clearing samples can be financially crippling, as well as causing havoc with release schedules. Rinse Productions specialise in helping producers and labels by recreating problematic samples to order.
Bored with ordinary commercial studios, The Cure decided to cut loose for their latest album, and set up their latest recording facility in a Tudor house in the country. Nigel Humberstone visited the band on location to discuss the technology that made the move into the country possible, and the group's working methods.
We covered the basics of score production last month; now it's time to learn more about presentation, with the aim of creating scores that really look the part.
What does it take to make a Firewire audio interface stand out from the crowd these days? How about eight mic preamps, 26 channels of I/O at 24-bit/96kHz and some heavy-duty routing functionality...
Paul Farrer's name has been a fixture in SOS for several years, but these days he's best-known as the theme tune composer for top BBC TV quiz show The Weakest Link. Paul White asks the questions...
The Voice One offers the second generation of TC-Helicon's pioneering modelling technology, along with powerful tools for manipulating and correcting pitch.
The SOS team return to Cambridge, turning another home studio upside down in search of improved vocal and guitar sounds.
In Part 1 (of 2) last month, we finished with the question: 'What is the Quadra? Is it a turkey of the first order, or a misunderstood and overlooked masterpiece?' This month, we'll take a closer look at the instrument itself to find the answer.