SOUND ON SOUND
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Its combination of ‘See‑Saw’ band and filters make this classy EQ really versatile.
For Spike Edney, touring with one of the biggest bands in the world has meant keeping up with the very latest in stage keyboard technology.
Setting boundaries to protect our health is hard, but it will help us live longer and do better work.
Logic’s Mixer Modes help you navigate even the most complex projects.
Anyone fancy a versatile controller keyboard with the tip of the Arturia software iceberg included free?
Asked to pick a favourite sound from his huge discography, Matt Squire nominates the track ‘On My Teeth’ from Underøath’s 2018 album, Erase Me.
When you’ve learned your craft from Manny Marroquin, you can mix on almost any system — as Jeremie Inhaber proved with Meghan Trainor’s ‘Made You Look’.
With hit albums for Dave, Wizkid and now Stormzy, Brazilian‑American mixer Leandro Hidalgo is at the top of his game.
New York‑based producer Randall Dunn answers the SOS quickfire questions.
Pulsar train their modelling sights on Manley’s mighty Massive Passive.
The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.
Just how do professional engineers tackle the earliest stages of their mixes, and can the rest of us learn anything from their approach?
Malena Zavala pauses her cross‑cultural synth‑guitar pop career to answer SOS's nine core production questions...
The SOS team pick their hardware and software highlights from the last 12 months.
Ricky Reed has worked with a multitude of artists across a huge range of genres, most recently delivering a string of huge hits for Lizzo.
Moog may be better known for their synths, but their out‑of‑production Moogerfooger effects change hands for silly prices. And now they’re available in software form...
To find himself as an artist, Charlie Puth swapped high‑profile co‑writers for fan reaction on TikTok. It seems to have worked...
The ASP4816 offered big‑console features in a project‑studio footprint, but its new souped‑up sibling offers that bit more...
A good real‑time analyser can draw attention to what our ears miss, and with multi‑channel formats that second opinion can be invaluable.