
Looptrotter Monster
With a FET compressor/limiter and tube-saturation circuit on each channel, there’s plenty here to dirty up your sounds. Get ready to mash with the Monster...
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With a FET compressor/limiter and tube-saturation circuit on each channel, there’s plenty here to dirty up your sounds. Get ready to mash with the Monster...

Swedish bass‑equipment manufacturers EBS’s updated MultiComp pedal is intended to make transparent‑sounding bass compression easy to achieve. Matt Houghton investigates...



For 50 years, the RS124 compressor has been a secret weapon at Abbey Road Studios. Now its targeting our plug-in folders...


Korg's new valve preamp and optical compressor is available not only as a stand-alone box, but also in a version which can be installed directly into either of their flagship digital multitrackers.


What do you get when you take three from Nineteen? A compressor, an enhancer and an effects unit... Paul White explains.

Paul White encounters a budget recording preamp with a colourful pedigree.

Focusrite's new Green processors are enough to make anyone envious, as Paul White discovered when he had to give them back!

LA Audio have taken the best bits from their mic preamps, compressors and equalisers to create a dedicated, single channel mic/line processor. Paul White patches it in.

The NOIZ Hub C Series includes C-66 and C-54, a pair of simple compressors that draw inspiration from the company’s BB F66 and BB N54 plug-ins.

BritStrip recreates the hardware unit of the same name, providing DAW users with a combination of 1073-style EQ and the diode-bridge-based compression found in the company’s Successor stereo compressor.

Neve’s latest announcement brings another 88RS-based module to their collection of 500-series offerings, and this time, it’s the console’s channel compressor and limiter section.

Acustica Audio’s latest release comprises two separate plug-ins that draw their inspiration from high-end British outboard gear.

The new bx_glue plug-in from Brainworx combines the sounds of classic British VCA compressors with some more modern functionality and multi-band processing capabilities.

Gainlab Audio’s latest unit builds upon the dual-slope concept employed in their Bishop compressor, as well as offering a version of the Tube Boost function found in the Empress EQ.

The N-Trophy is an all-discrete, modular in-line analogue console that aims to provide users with everything they need to record, mix and master in a single package.

Kingpin and Iris bring an affordable germanium overdrive and simple optical compressor to Coppersound's Mini Series line-up.