SOUND ON SOUND
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Don’t have a great-sounding room? Can’t turn your amp up to get the sounds you want? Want to turn down your speaker without sacrificing your tube amp’s tonality? Maybe this changes everything...
Audient have brought their respected ASP-series preamps to the masses in the form of a new USB audio interface.
The baby of the MSD series of stereo meters gets an overhaul with a new colour LCD panel.
Two new half-rack boxes offer considerable operational flexibility and pristine sound in both the analogue and digital domains.
Out of the wilds of Germany comes an interesting attempt at addressing the key aspects of hard disk recording on the PC for the DAT-owning musician. Brian Heywood reports.
Universal Audio have combined their considerable audio expertise and renowned DSP platform to create their first audio interface: the Apollo.
Presonus’s USB 2 interface promises tight integration with their Studio One software at a competitive price.
Alesis know a thing or two about digital recording, but what can they bring to the busy world of audio interfaces? Quite a lot, as it happens...
Focusrite have just confirmed the particulars of the Saffire's release date, UK price and bundled software…
Dan Lavry has gained a reputation for creating some of the best A-D converters on the planet — and this time you get mic preamps as well!
The Roland Studio Capture offers a very generous amount of analogue I/O and an unusually high level of digital control.
The new Edirol R1 is a compact 24-bit audio recorder with a built-in stereo mic which stores data on Compact Flash cards
Prism Sound have only just announced their new Titan audio interface, and already they're readying their next. The Atlas is the newest in the line of Orpheus-derived interfaces and is set for a launch at the NAMM show in Anaheim later today.
Press Release: Internationally renowned manufacturer Prism Sound will score a hat trick at NAMM 2014 when it unveils Atlas - its third new interface product to be launched in just eight months (Booth 7123).
This dual-channel unit has hybrid solid-state/tube circuitry, variable input impedance, instrument-specific presets, and a flexible digital output.
Fostex's new digital mixer sports ADAT I/O and a feature set which belies its price. Derek Johnson & Debbie Poyser trip the lightpipe fantastic.
Project Hammerfall is an unusual name for a soundcard — but then RME's new card is somewhat out of the ordinary. Martin Walker enters a world of sample-accurate sync and minimal latency.
Until now, if you wanted multi-channel or high-resolution audio I/O in a hot-swappable external interface, Firewire was the only way to go. Edirol's UA1000 offers an alternative, using the Hi-Speed USB 2.0 protocol that is standard on nearly all new PCs.
Monitors are better than they've ever been — but they're still the weakest link in most studios. We trace the technology from its roots in the 1930s, and find out whether there's a DSP revolution on the way.
Focusrite's Saffire already offered an awful lot of Firewire interface for your money, but the new LE version could just be even more of a bargain.
The Phase 88 is the successor to Terratec's popular eight-in/eight-out EWS 88MT PCI soundcard with breakout box.