
Notes From The Deadline
Title? Composer for the media. Job description? Squaring the circle...
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Title? Composer for the media. Job description? Squaring the circle...
Private Wilhelm: screaming through cinema’s lazy history of sound effects.
Dave Hill’s uncompromising converter design focuses on making clock jitter as low as possible, with impressive results.
Zynaptiq’s unique blend of pitch-shift, delay, reverb and other effects will take you into parallel musical universes!
While emulations of other classic analogue synths abound, there's only ever been one way to get your hands on a CS80 — until now.
Greg Wells has worked with everyone who’s anyone in the world of music — but nothing could prepare him for mixing a film soundtrack!
Vocal perfection means timing correction — and Cubase’s AudioWarp gives you the tools you need.
This month, Mike Senior vents his frustrations about the use (and censorship, thereof) of profanity in pop music.
How do you go about translating one of the most iconic studio albums of all time to the stage? We speak to FOH engineer/production manager Clint Boire about the 50th-anniversary tour of the Beach Boys’ Pet Sounds.
In the S21, DiGiCo have made their world-class digital mixing technology more accessible than ever before. We spent some time with it, both at DiGiCo HQ and at a real live event.
Armed with nothing but an Atari, a pair of S950 samplers and his faithful TB303, Fatboy Slim took the charts of the late 1990s by storm.
From treated trombones to tweaked-out trumpets, Heavyocity's Forzo provides a 21st Century take on virtual brass.
Keeping up with the Nashville music world means working fast — and few mix engineers work as fast as Billy Decker!
Yamaha's seriously capable MODX is a Montage for the masses.
We investigate Propellerheads’ new subscription service for Reason Rack Extensions.
Apple unveiled the much-rumoured 10.5-inch iPad Pro at this year’s Worldwide Developer Conference in San Jose.
Elektron have treated three of their flagship instruments to a major redesign. We see what’s new...
The latest in the Boutique range is the result of an unexpected collaboration between Roland and Studio Electronics.
Thirty years after the launch of the groundbreaking D-50, Roland’s Boutique version offers the same iconic sound.