SOUND ON SOUND
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This wireless system combines supreme ease of use with the quality for which Sennheiser are known.
Recording a live heavy metal concert would be challenging enough — but when you throw an 80-piece orchestra into the mix, all bets are off!
A broadcaster’s personal guide to getting a great vocal sound at Eurovision. Or in a pub.
Mike Lethby takes a look at the background to Soundcraft's popular Going Live series of live sound short courses, and gives a run-down on the events planned for the next course, taking place at the University of Manchester at the end of April.
Rock bands, choirs and symphony orchestras each pose their own challenges to the engineer. Put them all in the same room, and things get really messy...
Press Release: CADAC is launching its brand new CDC six digital live sound production console at...
Want to cut loose? We try out Sennheiser’s latest licence–free digital wireless systems.
Electric guitars are one of the cornerstones of modern music, but miking them up can prove tricky. We round up some top tips from professional engineers.
The frequency response of your headphones probably isn't neutral, but at least it's always the same. Or is it?
We speak to some of the leading experts in hearing loss to find out why it happens, how to prevent it, and what to do if your hearing fails.
The sound designer’s role in a big-budget musical is to create an immersive experience for the audience — and keep the cast and director happy too!
How should I pan my drum recordings in the mix? For instance, should the hi-hat be on the left or on the right?
There are many jobs involved in large-scale touring — and established front-of-house mixer Bryony October has pretty much done them all.
Hifiman are driving the development of headphone technology at an impressive pace!
Digital wireless systems are all the rage these days, but good old UHF still has some unique advantages.
So feature-laden is QSC’s newest TouchMix digital mixer that the question is no longer “Who would want one?” but “Who wouldn’t?”
What’s in a name? A lot — if you play your cards right.
Can I use the headphone output (Output 9-10) on an RME Fireface 800 audio interface to feed a click track to an IEM (In-ear Monitor) transmitter for a drummer?
Colin Cartmell’s decades‑long tonequest has led him to create some of the best guitar cabinet IRs out there — so we asked him for advice on how to roll your own.
With spill between instruments and bleed from backline and monitors, live-performance recordings present unique mixing challenges. At London's PLASA show, Miloco Studios' engineer Jamie McEvoy explained how to get a great result.