
Future Of The Music Industry?
News, tips and advice for Mac-based musicians.
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News, tips and advice for Mac-based musicians.
128 MIDI channels would have seemed like complete overkill ten years ago, but today's multitimbral voice modules can use them up at an alarming rate. Martin Russ checks out an eight-port patchbay/interface from Opcode.
In an extended Apple Notes column we take an exclusive look at the 30-inch Cinema display from a musician and audio engineer's perspective, and evaluate the performance of the new dual-2.5GHz Power Mac G5 with our usual series of performance tests.
Featuring four-track recording, overdubbing and mixing facilities, this handy recorder promises more than most...
Boost your Reason productivity with indispensable keyboard shortcuts that make everyday jobs quicker and easier.
Apple CEO Steve Jobs outlined many visually interesting features this month for the next major version of OS X. However, it's perhaps the features that lurk beneath Leopard's glossy exterior that will prove the most useful to Mac-based musicians and audio engineers.
Billed as both a bonkers sound mangler and a subtle mastering device, can this little grey box really deliver on both counts?
Pro Tools doesn't support RAID arrays, but does have its own disk management features that allow you to 'stripe' audio files across multiple disks, or record additional safety copies of everything.
Derek Johnson tries out a new multi-port USB MIDI interface that's also designed to allow connection of serial-port gear.
Nektar's Panorama T4 takes their already impressive DAW integration to a higher level.
Focusrite have been listening to their users, and their new Scarletts deliver greatly enhanced low-latency performance among other improvements.
It's update frenzy this month, as Digidesign deal with the move to OS X Tiger and iron out more of the bugs in Pro Tools 6.9.
We show you how Live and Reason can play together thanks to Ableton Link.
Digital amp modelling has come a long way, but some guitarists still miss the ‘feel’ of a real amp on stage. Enter the Gemini 2.
Strymon's analogue-modelling effects pedals have acquired an enviable reputation — can their first amp simulator live up to it?
I’m currently upgrading my project studio, which is based around a Focusrite Saffire LE and is fine when using Cubase or NI’s Traktor. However, I am looking to bring Pro Tools into the equation, and despite some hunting I’m still stumped. Would using an M Box affect the sound drivers for my Saffire, forcing me to disable one piece of hardware and restart my system?