SOUND ON SOUND
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Team SOS travel to Sheffield, to help one man in his quest to realise his lofty studio ambitions.
Ableton have released major new versions of their two flagship products, Live and Push. Live 9.5 is free to owners of Live 9. Meanwhile, and more importantly, there is a new Push controller.
We try to bring a bit less garage and a bit more rock to a self‑recorded production with a retro feel.
New to the world of video production and unsure what gear to buy? Our guide to the five best options in three categories will get you started.
We get our heads round one of Reason's new sample‑based Rack Extensions, A‑List Acoustic Guitarist.
We scrutinise two Rack Extension additive synths and look at how to add harmonic complexity to any source.
We investigate the major and minor new features on offer in Cubase SX/SL 3.1.
Kendrick Lamar’s To Pimp A Butterfly is one of the most ambitious hip-hop albums of recent years. Derek Ali was Lamar’s right-hand man during its making.
Lush Projects' kit could be the cheapest way into modular synthesis for anyone handy with a soldering iron.
A reader's carefully crafted symphonic synth epic gets the SOS mix makeover treatment.
Brushes Held Like Hammers: Our recording engineer looks at ways to reduce spill without compromising a full–band tracking session.
Bob Dylan’s album of Sinatra covers is an unlikely triumph. So good, in fact, that it didn’t need mixing!
Blink 182’s chart-topping California brought Zakk Cervini his first mix credit on a hit album — but he had to work hard to get it.
Dynamic convolution can be used to ‘sample’ any piece of audio gear. Have Acustica succeeded in giving this advanced technology a friendly face?
Producer and engineer Rob Kirwan oversaw Hozier’s commercial breakthrough — by concentrating on the least commercial aspects of his music.
This month, we're talking new technologies, including futuristic carbon-nanotube computing and — more immediately — the availability of SuperSpeed USB...