
Cubase: Groove Agent SE4's Acoustic Agent
Cubase’s Groove Agent SE4 isn’t the most intuitive drum machine, but it’s well worth getting to grips with.
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Cubase’s Groove Agent SE4 isn’t the most intuitive drum machine, but it’s well worth getting to grips with.
If you’re looking for a no-frills, all-in-one speaker processor, this digital device ticks all the boxes at a very agreeable price.
The OB6 is the product of a collaboration between two of the most respected names in synthesizer design, and it doesn’t disappoint...
Fluid Audio’s decision to use a ribbon tweeter in a dual-concentric speaker is an unusual one. We find out how it works in practice.
The Swedish manufacturers resurrect a long-gone studio classic.
The curious Gizmo polyphonic guitar sustainer is reborn. Can this new version succeed where the original failed?
Is it time to burn a few musical bridges, experiment with a more Eno-esque approach, and turn off the click track?
We look at the different ways in which you can animate parameters in Ableton Live.
Reinvented by a little-known Norwegian production team, a song about not being famous any more made Mike Posner more famous than ever...
Easily play and write in any key with Logic Pro’s MIDI tools.
The MicroGranny 2 is a miniature granular sampler, and you won’t have to sell any of your elderly relations to get one.
Drips is a complete analogue drum voice that can be tweaked to produce kicks, snares, hi-hats and so on as well as Kraftwerk-style zaps and thwaps.
This compact module will serve as four linear VCAs or as a four-input mixer — for audio or control signals.
Rebel Technology’s Phoreo [Rendering its name in Greek will break the SOS publishing software — Ed] is a clock,...
The Silent Majority: sometimes the best way to improve a mix is to take a break from it.
Soon, for the first time in 35 years, you will be a able to walk into a shop and buy a brand-new Minimoog. But will it be as good as the original? Find out in our exclusive review.
Persistence is a virtue every composer needs, but you can take it too far.
As recording live shows gets cheaper and easier, the line between live-sound engineer and producer blurs.
Designed by PandaMIDI in Hungary and inspired by the long-discontinued Akai Deep Impact, this unit adds a useful range of extra features.