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Thirty years after Led Zeppelin ended, Robert Plant has reached a second career high. His latest hit album was tracked and mixed by Mike Poole, using a mouth-watering selection of vintage equipment.

Just as analogue synths fell temporarily from grace in the face of digital synthesis technology, so analogue tape seems to be succumbing to the digital recording revolution. But David Mellor argues that a wise musician is one who learns the lessons of fickle fashion...

Producer and songwriter Fraser T Smith has made the unlikely journey from prog rock to grime. With Tinchy Stryder, his broad experience has paid off in the shape of three massive hit singles.

Paul White tests a new British power amplifier to see if it sounds as good as it looks.

As well as the standard complement of equalisers, reverbs and delay-based effects, sequencers these days are bundled with an ever-increasing array of plug-ins designed to alter your sound in new and interesting ways. We explain how to use these effects in the forms in which they're bundled with the Big Five sequencers.

Paul White boldy goes where no man has been B4!

The new baby of the Blue Sky range brings their design philosophy to the small computer studio. But will the 'satellite plus subwoofer' configuration and closed-box speaker loading work as well on a small scale as it does in the company's larger systems?

RME's Fireface 800 brings together all of the company's expertise in developing audio hardware for computers, mic preamps and converters into one highly desirable unit. But can you really fit so much functionality into one interface without cutting corners?

These new active nearfields from Wharfedale offer a polished sound for studio owners on a budget.

Since 1999, Bob Moog's Big Briar company has been making analogue filters and effects pedals based on his original Moog module designs. Now there's a central control unit, so that you can use them all together as a complete processing system.

Another batch of lucky SOS readers' demos wait nervously for the Doctor's prognosis. What is the verdict? Listen while you read on...


Mixing on headphones is undoubtedly convenient, but you can never be sure if your mixes will translate well to speakers. This high-quality headphone amp and processor aims to address that problem.

Another crop of sound libraries fall under the scrutiny of the SOS reviews team: • Project SAM Symphobia • Propellerhead Reason Electric Bass • Big Fish Audio Found Percussion • Project SAM Woodwind Libraries

The Feeling stormed the charts with a debut album recorded in a shed. For their follow-up, they relocated to a country mansion, but elected to stick with the DIY approach.

Gordon Reid gets twiddling with two small but perfectly formed analogue units aimed at the pockets — literally — of today's aceed‑hungry dancemongers.

Millennia Music and Media Systems manufacture high-end signal processors with the usual feature of dual circuit paths — solid-state FET and valve topologies running separately, side by side. Hugh Robjohns checks out the company's opto-compressor.

The band Quinn, comprising multi‑instrumentalist and studio wizard Alistair Cook and singer/songwriter Louise Quinn, have recently joined the growing number of SOS readers setting up small studios and independent record labels.

Koblo's software instruments are fun and easy to use, with brightly coloured, single-screen user interfaces. Derek Johnson and Debbie Poyser try out their latest, a virtual drum machine which can be run as a stand-alone application or alongside a MIDI + Audio sequencer.