SOUND ON SOUND
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You can do so much more with noise gates and expanders than nix unwanted noise...
Does AI threaten to put us all out of our jobs — or will it simply make us better at doing them? We talked to the developers leading the AI revolution in music.
Housed in an old cinema in Stockholm, Atlantis Studios is a very special place even by the standards of our Studio File series.
The C-Thru Music Axis 49 MIDI controller is now available, having been unveiled in June 2008. Like its older brother...
Despite never quite attaining the hip status of the Fender Rhodes, the Wurlitzer 200A electric piano has been a favourite...
Though the headline features are aimed at dance producers, Apple’s latest Logic update has something for everyone. And it’s free!
Orchestral Tools go up to 11 with a large-scale symphonic library inspired by a sci-fi masterpiece.
Links to Audio files mentioned within JULY 08's Mix Rescue article.
With arbitrary tempo restrictions to contend with and Olympic glory riding on every cut, adapting music for ice dance represents a unique editing challenge.
Mothballed for over three decades and reopened two years ago, Valentine is a time capsule of awe-inspiring completeness, providing us with a clear window into a great era of record-making.
Brush up on your listening skills, as we deconstruct some tracks from a production and arrangement perspective.
Jamie Cullum's sixth studio album, Momentum, sees the British pianist and singer further expanding his stylistic palette.
Perhaps the only classic Hollywood recording studio of this type that is still open today, Boulevard began as Continental Recorders around 1966. It changed name to Producer’s Workshop, before going on to create musical history in the 1970s.
Musical pitch has always been putty in the hands of Melodyne. Now, revolutionary features in version 4 promise to make tempo and timbre equally fluid.
We investigate an experimental system that promises to retrospectively add Yamaha CS80-style expression control to any keyboard.
Although first published in 2007, I only became aware of this interesting book very recently, when I found it on a recommended-reading list for a music technology course at a UK university.
Compact, portable, capable of overdubbing, and packed with preamps — could this be the multitracker we’ve all been waiting for?
Once you’ve recorded, edited and comped your vocals, a little careful prep work could pay real dividends when it comes to the mix.
Don’t take Cubase’s dedicated MIDI Drum Editor for granted — it’s a gem!