
Steinberg Cubase 8.5
The latest Cubase update connects Steinberg’s DAW to the cloud, but also brings plenty of improvements for earthbound users.
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The latest Cubase update connects Steinberg’s DAW to the cloud, but also brings plenty of improvements for earthbound users.
What do you get if you cross Frank Sinatra and Queen? Producer Jake Sinclair and mixer Claudius Mittendorfer helped Panic! At The Disco’s Brendon Urie find out...
Why ‘review’ a record company? Well, I believe that Opus 3 are unique in offering quarter-inch tape copies of their analogue tape masters.
Elton John’s Goodbye Yellow Brick Road has proved to be one of his most popular and enduring works. The man at the controls, David Hentschel, tells us how it came to be.
Located in an area of North Hollywood, Los Angeles, that now thrives as the ‘NoHo Arts District’, the premises were purpose-built as a recording studio...
We continue our investigation into Reason’s ReGroove Mixer.
The success of Disney's Frozen underlines the importance of music in film, whether it be as songs or soundtracks.
Heavyocity’s latest contender delivers a winning one-two combination.
Using pencil and paper to write down music may seem outdated in this digital age, yet it retains a hands-on immediacy unrivalled by conventional notation software. Wouldn’t it be nice to have a system that combines the advantages of both? Enter StaffPad, an app which lets you write music with a pen directly on screen...
When it comes to FM synthesis, Korg’s little Volca is thinking big.
Links to Audio files which accompany this month's Cubase techniques article.
This orchestral compilation focuses on full-range, multi-instrument ensembles, enabling you to play complete orchestral sections without having to laboriously program their individual components.
The making of Barbra Streisand’s latest hit album, Encore, offers a window into the unique philosophy of hit-making producer and engineer David Reitzas.
If a title like ‘13’ didn’t give it away, then the subtitle of ‘Horror Loops & Sound Design’...
Novation’s ambitious new synthesizer brings together the best of analogue and digital.
Production music is rarely glamorous, but it can be very lucrative. In the first of a major new series, we explain how to get your foot in the door.
Transforming Peter Gabriel’s Scratch My Back into an impressive live experience required an orchestra, a team of top engineers and just the right selection of gear.
We get plucky with Ableton Live’s Tension instrument.
Refresh your musical mojo with Reason 9’s Players.
Jazz Colors features 20 jazz-flavoured construction kits comprising over 3GB of sample data, spread across some 1400 samples.