
Studio One: Using The VCA Channel
VCA faders offer a powerful way to control your levels in Studio One.
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VCA faders offer a powerful way to control your levels in Studio One.

A successful musician and producer who happens to be blind, Jason Dasent is helping manufacturers to implement text‑to‑speech and other vital accessibility features.

Metalcore presents unique production challenges — and few are better placed to meet them than genre veteran Jordan Fish.

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The fearless sonic experimentation of composers Evgueni and Sacha Galperine is proving equally at home in mainstream and arthouse cinema — not to mention last year’s surprise hit TV series Baby Reindeer.

Vanguard’s new stereo mic is an exclusive tribute to an even more exclusive original.

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Mixer and engineer Tobin Jones has worked with a raft of boundary‑pushing artists from electronic powerhouse Powell to Japanese psych‑rockers Bo Ningen.

Atop his role as one half of the wildly off‑kilter Unicorn Ship Explosion, Sasha Lewis has honed his craft working with the likes of Four Tet and Jon Hopkins, and has provided sound design for numerous film companies.

It’s a synth called Synth!

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The OP‑XY is a portable sequencing powerhouse.

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Working with Kacey Musgraves catapulted Ian Fitchuk from respected producer to one of Nashville’s busiest songwriters.


Windows‑based musicians have long been asking for better support at the operating system level — and it seems to be very much on its way, with native low‑latency ASIO drivers and full support for MIDI 2.0. We reached out to Microsoft to find out more.

Virtuoso pianist Rogét Chahayed has found a unique niche as a classically trained hip‑hop producer.

Is the fear of 'selling out' still valid in today's professional music industry?

The Echo Cinematic can make a weedy melody line sound huge, reanimate percussion lines and weaponise chords in fabulously groovy ways.