SOUND ON SOUND
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Hit‑Boy’s freewheeling production style has made him one of the hottest producers in the USA.
Designed to deliver an aggressive ’90s mastering sound on stage, the Golden Master could well come in handy in the studio too.
With a compressor‑saturator stage for each of its four bands, could Drawmer’s new EQ become your latest Crush?
Growing up in the western Mexican city of Guadalajara, Eduardo De La Paz didn’t have many opportunities to learn the craft of recording and production. He has since made his own name as a formidable mixer, and in the process founded a studio.
A much‑loved creative distortion plug‑in is back from its sabbatical, and it looks like the break has done it good!
An oscilloscope can be very handy when working with synths and CV signals — but most aren’t designed with music‑makers in mind. The NTS-2 is.
Casisdead’s Famous Last Words may be one of the best British rap albums ever made — but actually making it was an epic challenge!
Add a human touch to your MIDI parts with Logic’s MIDI Transform.
Hard work and a love of sampling have made FNZ the hottest production duo around.
Korg’s MS range contains some bona fide classics — and is much more extensive than you might imagine...
The foundation of a good, engaging mix is a strong arrangement. But how far can you go to improve things at the mixing stage?
When Focusrite’s Scarlett interfaces reached their fourth iteration with the launch of the Gen‑4 models in August 2023,...
JZ’s first small‑diaphragm mics combine a distinctive appearance with excellent technical specs and an appealing sound.
Cherry Audio have resurrected the venerable ARP Pro Soloist in software.
Galya Bisengalieva is a composer, producer and instrumentalist, whose violin playing features on works by Thom Yorke, Suzanne Ciani and Actress, as well as numerous film soundtracks including The Matrix Resurrections.
Orchestral Tools’ new strings library distils the sound world of a major European composer.
Do you find yourself reverting to the same familiar chords? Technology can help...
Eventide’s celebrated reverb and pitch/modulation plug‑ins have been reinvented — with immersive audio applications in mind.
Gainlab’s channel strip delivers high‑quality valvetube preamplification and optical compression, along with some interesting tone‑shaping options.
Spring reverb can be a one‑trick pony, though it’s a pretty good trick! This one incorporates additional processing to make it more versatile.