Quite a few engineers who work with bands like driving their drum submix into fairly heavy compression, but whenever I try doing this it seems like I end up losing the low‑end weight from my kick drum...
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I’ve been using the Haas delay effect to add some nice width to my guitar parts. It sounds great, but I’ve noticed that when I listen in mono my guitars pretty much disappear from the mix. Any advice?
I am recording using a spaced-pair miking setup and I want to apply light compression to the signal. Where in the signal chain should I insert the compressor (pre- or post-fade), and will I have to buy a dedicated stereo compressor to do the job properly?
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