Quite a few engineers who work with bands like driving their drum submix into fairly heavy compression, but whenever I try doing this it seems like I end up losing the low‑end weight from my kick drum...
Olivier and Johannes go behind the scenes on the techniques that they used to create their latest collaborative album featuring the use of VoIP technology to process sound.
I’ve been using the Haas delay effect to add some nice width to my guitar parts. It sounds great, but I’ve noticed that when I listen in mono my guitars pretty much disappear from the mix. Any advice?
I am recording using a spaced-pair miking setup and I want to apply light compression to the signal. Where in the signal chain should I insert the compressor (pre- or post-fade), and will I have to buy a dedicated stereo compressor to do the job properly?
What advantages are there to variable input impedance? • How can I extract loops from audio sample CDs? • Can I use the True Tape option in Cubase to prevent clipping? • Should I use S/PDIF or AES for long cable runs? • Can you have too much low-frequency absorption? • What's the best way to use the multiple filters on my soft synth?