SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Derived from the larger flagship Trident 88 consoles, this new range offers many of the same features for a lot less money.
More keenly priced than many Sound Devices products, the MixPre-3 nonetheless offers exceptional sound quality and functionality.
Why do people recommend a condenser microphone over a dynamic? I know it’s an idiot question, but I’m new to...
This stylish Russian-made microphone certainly looks the business — but can it compete with the classics?
Drawmer’s latest monitor controller puts the same impressive audio quality as their MC2.1 into a new desktop format.
I have a very high quality D-A converter that boasts particularly low clock-jitter figures, so I thought it would be an ideal candidate to serve as a master clock — yet it doesn’t have a word-clock output socket!
There are countless 500-series mic preamps, equalisers, dynamics processors, reverbs, and even delays, bitcrushers and A-D...
Keeping the BBC’s flagship classical music show at the top of its game requires serious engineering skill — and the ability to cope with the unexpected!
In a previous article you mentioned the importance of correct phase between satellites and subwoofer. Can you tell me what’s going on when you cannot hear any difference between 0 and 180 degrees?
This neat little unit can serve either as a four-into-one passive stereo line mixer, or as a one-into-four stereo line splitter, just by using the appropriate input and output connectors. However, it goes rather further than that...