Hums and buzzes in your signal path are not the only cause of noise problems in the studio. The mechanical noise emitted by some equipment can be equally disruptive — but, as Martin Walker explains, you don't have to suffer in (lack of) silence.
In the first part of a new series, Paul White looks at the practicalities of stereo editing. So, if you plan on compiling your stereo mixes into an album master, you'd better read on.
Fancy multi-port MIDI operation for your Atari? Derek Johnson looks at a three-way interface that can expand the musical horizons of Atari users and rounds up some more ST news.
If Cakewalk was a cat, it'd be on its last life by now — but, as Kevin Perry discovers, the long-established PC sequencing package shows no sign of turning up its paws just yet...
Martin Russ laments his unerring success at buying new Macs just as they are about to be superseded, but recovers enough to find another little-known but fascinating seam of music software.
Turn your Atari into an instant musical ideas machine with fascinating Music Mouse. Derek Johnson reviews a vintage Atari program that's still available new and checks out a useful ST resource web site.
The Internet was originally conceived as a resource for sharing information — and there's still quite a lot of it out there among the Star Trek sites and pirated MP3s, if you know where to look.
Attaching several different applications to a single MIDI or Audio device can be very useful — once you've worked out how to do it! Martin Walker guides you through the procedure and points out the varied uses of the multi-client approach.
Mike Simmons ties up some loose ends with some words on browser compatibility, a look at other Internet music other than Real Audio, and a brief guide to using frames on your site.
With more and more software synths appearing for both Mac and PC, it takes something a little special to make people sit up and take notice. Martin Walker looks at a product that should do just that.