SOUND ON SOUND
Developed in conjunction with Matthias Puech, the 4MS Tapographic Delay is a hands-on 32-tap delay with a maximum delay time close to three minutes.
Plonk uses AAS physical modelling to generate many voices of a typical drum machine, but it’s equally suited to creating strikes and hits with no real-world equivalent...
Formant Filter offers morphing between three different vowel sounds and via parallel band-pass filters, it delivers convincing vocal tones...
Rainmaker consists of a stereo 16-tap spectral delay paired with a 64-tap comb resonator, the latter sporting external triggering options that turn it into a (single-voice) Karplus-Strong synthesizer.
The MÖG Wavefolder doesn’t just modify waveform shape, it squishes, shifts, boosts and distorts — and is equally happy doing the same to control signals.
Every now and again a module appears that slots into a niche you didn’t realise existed, but once it’s there you start to see all kinds of new possibilities...
The TZ-VCO is 100 percent analogue, and unusual in several respects...
The quadroPOL works as a VC mixer or quad VCA, with the ring modulation and the polarising qualities adding something extra...
Radikal Technologies, best known for the Spectralis 2 synth/sampler/sequencer, have entered Eurorack with a distinctive...
Jove has a modern replacement for the now-obsolete OTA (IR3109) used in the original Jupiter 6 and it has been given voltage control of resonance along with an extra two-pole low-pass mode...