Steinberg

Musicians using Mac and PC sequencers often complain about loose MIDI timing. Martin Walker checks out an interface from Steinberg which should solve this problem — at least for users of their sequencing software...

The Interactive Phrase Synthesizer is one of those parts of Cubase that most of us know exist, but which few have actually used. We take a look at what it can do, as well as offering some handy tips on setting up loops and introducing the idea of controlling your computer remotely...

The facilities that Cubase offers for manipulating note legnths may not be amongst its most exciting features, but as this month's Cubase Notes demonstrates, they can prove to be invaluable.

The Studio Module allows PC and Atari users to select configurations and patch names for their synths within Cubase. Paul Nagle guides you through the basics of creating a Studio Module setup.

Continuing his in-depth explaination of the Logical Edit functions of Cubase in Easy Mode, Paul Sellars looks this month at the role of the Processing stage settings, in conjunction with the Filter and Function operation, before moving on to the greater complexities of Expert mode...

Steinberg turn the dial up to 11 with a stonking new version of Cubase.

Compression in mastering is different — both the goals and the methods. Mastering engineer Ian Shepherd describes three different mastering compression techniques — how and when to use them, and why the goal is to be invisible.

The following Audio examples accompany our Cubase: String Theory Part 2 workshop article.

Last month we ‘faked’ some string‑arrangements. Now it’s time to add a human touch.