Steinberg

Why do musicians see value in the music they write but not the software they use to write it?

Want to convert your multi-channel instruments into audio? Here’s how to do it in Cubase.

Live loop triggering may not be Cubase’s raison d’être, but it can be done...

Cubase’s natural home may be the recording studio, but you can also use it for on-stage improvisation.

The Logical Editor window is a powerful way to process MIDI data in Cubase, although it can often appear daunting to new users. What's more, it provides excuses for writers to dust off their Mr Spock quotes.

Reverb is vital for most types of modern music production, so it's no surprise to find that many sequencers provide a variety of reverb plug-ins. But what do all those different parameters do?

Navigating complex arrangements can often be frustrating, but by taking advantage of Cubase's Marker Track, you can easily define a structure to simplify the process.

If you don't fancy programming drums from scratch, but you find pre-recorded drum loops too inflexible, perhaps what you need is Steinberg's virtual drummer...

Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.

This month we take another look at Cubase's Macro facility and discuss a selection of examples for adding some rather neat features to the program.