SOUND ON SOUND
The current extent of software piracy poses a serious threat to the economical stability of the software companies on whom we rely...
The flexibility of the effects assignment in modern MIDI + Audio sequencers (DAWs) can be daunting, so here's some advice on how to sort out the routing and order of your plug-ins for common recording and mixing tasks.
When it comes to mixing bass, sometimes more is more, and Cubase has all the tools you need...
Steinberg’s latest pair of audio interfaces — the UR-RT2 and UR-RT4 — are the result of a collaboration...
In this final part of our series, we look at how the major project studio-oriented MIDI + Audio sequencers (DAWs) currently handle surround.
Can Cubase’s Groove Agent SE4 take care of all your virtual drummer needs?
Samples, re-sampling, looping, cutting and pasting — is it all getting too easy? Is the phrase 'dance music' becoming an oxymoron?
Midex 3 is a one-in, three-out USB MIDI interface employing their Linear Time Base technology, first used in the larger Midex 8.
Can you tell me something about a vintage mic I've found? Why don't my synths' sounds work well together in mix? How do contact microphones work? Is there a combined soft sampler and sequencer on the market? Which soundcard should I upgrade to?
Why is phase important? What orchestral sample libraries are available for HALion? Where can I get Windows-based ASIO drivers for an Audiomedia III card? Are there really reverb and synth plug-ins supplied with Mac OS X? How can I isolate the vocals from a stereo mix?
