Steinberg

Reverb is vital for most types of modern music production, so it's no surprise to find that many sequencers provide a variety of reverb plug-ins. But what do all those different parameters do?

Navigating complex arrangements can often be frustrating, but by taking advantage of Cubase's Marker Track, you can easily define a structure to simplify the process.

If you don't fancy programming drums from scratch, but you find pre-recorded drum loops too inflexible, perhaps what you need is Steinberg's virtual drummer...

Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.

This month we take another look at Cubase's Macro facility and discuss a selection of examples for adding some rather neat features to the program.

Cubase 9 Pro’s Frequency EQ plug-in can do everything from gentle tone shaping to delicate mid-sides surgery.

Cubase 9 makes side-chain audio inputs possible for VST 3 instruments, the first being Retrologue 2.

Cubase SX has a Detect Silence feature and a Hitpoints feature that seem to me like they do pretty much the same thing. Are they different, and when should I use them?

Both SX and Nuendo offer plenty of scope for recording and mixing in surround sound formats...

Could your undesirably high MIDI latency in Cubase SX be the result of unwittingly using an 'emulated' driver? Read on to find out.