SOUND ON SOUND
When building Macros gets tough, the tough get going with Cubase’s Project Logical Editor.
I’ve not found a way of bypassing an external effect (Boss DD-500) by using automation in Cubase 8.5 Pro. I didn’t want the...
As these vocal examples demonstrate, Cubase’s Macros enable you to streamline your workflow significantly and save yourself considerable time.
Compressing dynamic vocal parts can be tricky with one compressor — so why not try using two?
Looking for a new synth? Check out Cubase’s latest bundled one first!
The current extent of software piracy poses a serious threat to the economical stability of the software companies on whom we rely...
The flexibility of the effects assignment in modern MIDI + Audio sequencers (DAWs) can be daunting, so here's some advice on how to sort out the routing and order of your plug-ins for common recording and mixing tasks.
When it comes to mixing bass, sometimes more is more, and Cubase has all the tools you need...
Steinberg’s latest pair of audio interfaces — the UR-RT2 and UR-RT4 — are the result of a collaboration...
In this final part of our series, we look at how the major project studio-oriented MIDI + Audio sequencers (DAWs) currently handle surround.
