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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

Displaying 127 - 147 of 152 items
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    Groove Tubes MD1b FET

    Condenser Microphone

    This is a reissue of Groove Tubes' first large-diaphragm condenser, but with solid-state electronics replacing the valve to offer a more affordable package.

    Reviews Oct 2004
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    Pearl CC22

    Condenser Microphone

    This innovative rectangular-capsule design aims to combine the desirable attributes of small- and large-diaphragm sounds.

    Reviews Sep 2004
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    Microtech Gefell M930

    Condenser Microphone

    This surprisingly compact large-diaphragm condenser mic shakes up the established competition.

    Reviews Jan 2004
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    DPA IMK4061

    Miniature Condenser Mic Kit

    This affordable miniature mic from one of the top names in condensers can neatly solve a variety of common recording problems.

    Reviews Oct 2003
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    Oktava MKL2500

    Valve Condenser Mic

    A Russian-made, large-diaphragm tube mic which is surprisingly affordable.

    Reviews Oct 2003
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    BLUE Kiwi

    Multi-pattern Condenser Microphone

    BLUE's flagship solid-state microphone combines their trademark distinctive styling with exceptional sonics.

    Reviews Jun 2003
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    Groove Tubes GT55, GT57, GT66 & GT67

    Large-diaphragm Condenser Microphones

    Groove Tubes' versatile mics offer a range of facilities to suit every budget.

    Reviews Apr 2003
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    Samson C01

    Condenser Microphone

    Samson seek a share of the budget microphone market with their highly competitive new large-diaphragm condenser.

    Reviews Jan 2003
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    BLUE Baby Bottle

    Cardioid Condenser Microphone

    BLUE's newest hand-built condenser mic is their most affordable yet, and continues their tradition for striking styling. But does it sound as good as it looks?

    Reviews Nov 2002
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    Audio Technica AT4040 SM

    Cardioid Condenser Microphone

    At a price point of around £300, there are already very good contenders for your money on the quality condenser mic market. Does the 4040 SM have what it takes to become a front-runner?

    Reviews Sep 2002
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    Rode NT4 & NT5

    Condenser Microphones For Stereo Recording

    Do you prefer doing stereo recordings with two separate mics or with one dual-capsule mic? With their NT4 and NT5 models, Rode cater for both techniques.

    Reviews Aug 2002
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    Sennheiser Evolution E664

    Condenser Microphone

    This latest addition to the affordable Evolution range brings Sennheiser's renowned K-series technology within reach of the project studio.

    Reviews Apr 2002
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    CAD M9

    Large-diaphragm Valve Condenser Mic

    CAD continue their M series with an affordable valve mic.

    Reviews Mar 2002
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    Rode NT1000

    Condenser Microphone

    Paul White tests the solid-state counterpart to Rode's recent NTK valve mic.

    Reviews Sep 2001
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    Neumann M147

    Tube Studio Condenser Microphone

    Neumann have rejuvenated one of their most celebrated capsule designs, allowing Hugh Robjohns to bask in that unmistakable glow...

    Reviews Dec 2000
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    Hebden Sound CM1000 & CM2000 Series

    Capacitor Microphones

    There aren't many British mic companies, but one — Hebden Sound — offer a complete range of hand-built capacitor mics, sourced entirely from British components.

    Reviews Nov 1999
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    CAD VSM1

    Large-diaphragm Valve Condenser MIc

    Extending their popular range of condenser microphones, Conneaut Audio Devices have introduced the impressive retro-styled VSM1 tube microphone near the top of their range.

    Reviews Aug 1999
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    Beyerdynamic MCE93 & MCE94

    Studio Condenser Microphones

    Hugh Robjohns meets a double-act of new Beyer microphones.

    Reviews Jun 1999
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    AKG C4000B condenser microphone.

    AKG C4000B

    Condenser Microphone

    Multi‑pattern microphones traditionally have true capacitor capsules and are correspondingly relatively expensive — until now. We test AKG's affordable new C4000B, the first dual‑diaphragm, multi‑pattern mic with an electret capsule.

    Reviews Apr 1999
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    Beyer MCE90 condenser microphone.

    Beyer MCE90

    Studio Condenser Microphone

    Beyerdynamic's range of microphones has grown at a very healthy rate over the last year or so. We provide a first opinion on their new general‑purpose studio condenser, the MCE90.

    Reviews Mar 1999
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    Microtech Gefell UM900 valve condenser microphone.

    Microtech Gefell UM900

    Valve Condenser Microphone

    The East German company Microtech Gefell only became known in the West after the fall of the Berlin Wall, but it was founded by no less a man than Georg Neumann in 1943. Hugh Robjohns tests a new mic with an impressive pedigree...

    Reviews Jan 1999

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